If I need to cheer myself up, I will put on some fabulous '40s musical on video. But I'm very lucky; I seldom get depressed. Without question, I'm a 'glass half full' person. In fact, it's three-quarters full!
When you hear someone from the very north of Scotland speaking, I think its nice, very musical and harmonious.
I had trouble fitting in, in a musical sense. A lot of drummers get sidetracked by the instrument. It can engulf you.
I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.
I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.
I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.
I'm wary about this thing about being in the generation of social networking where people are like, 'I am my musical taste.' I am not just a collection of music. Or a collection of movies. I think that's a thing that people romanticize: 'Oh my God, she likes this band so she is a dream.'
I wouldn't succeed at musical theater.
But I wish they would make a musical of some kind. I miss musicals so much. You don't see them anymore.
Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
I wore goofy hats to school and did musical theater. Most people thought I was a dork. But if you have a sense of humor about it, no one can bring you down.
I've been doing musical theater since I was a kid. And look for a CD from me in the future. I want to write all the songs!
We shot 'High School Musical' in eight weeks. I spent longer rehearsing for 'Hairspray' than filming 'High School Musical'.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
I'm not into music - the only music I like is musical theater, but I have every Ween album.
I don't want to do free jazz! Because free jazz - which is the musical equivalent of free marketeering - isn't actually free at all. It's just constrained by what your muscles can do.
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn't if you knew better.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
All I tell artists is, 'Do what you love. Never let anybody talk you into changing what your musical idea is just to try to get a hit, because you're chasing your tail that way. It's not going to happen, and if you're successful, you have to do it the rest of your life. Stay true to it and do it for the sake of the art.'
My family was musical on both sides. My father’s family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple’s double — she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the ‘20s, ‘30s and ‘40s in the kitchen for my grandmother.
My mom was an amazing singer and music was a big part of my life, so I grew up listening to Nat King Cole, Johnny Mathis, Henry Mancini; I used to watch 'The Andy Williams Show' on TV. I was very musical, so I was watching stuff that most kids my age wouldn't be interested in.
Hearing that the same men who brought us 'South Park' were mounting a musical to be called 'The Book of Mormon,' we were tempted to turn away, as from an inevitable massacre.
With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.
A musical takes two to five years. You have to love it to put in the years.
But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.
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