Growing up I didn't watch movies.
There's nothing creative about living within your means.
I just like movies that somehow expose the world in a way that's different than you imagine it.
I think filmmakers want their movies to be seen.
The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I dont have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
Even on a $100 million film, people will complain that they haven't got enough money and enough time, so that's always going to be an element in filmmaking.
I think that directing is the ultimate martyred task of filmmaking, that it has nobility to it. It takes three years to make a film, for the most part. I think it requires the attentiveness of a mother hen.
Most filmmaking is about shaking hands and just starting.
You know, it's not the people in Hollywood who go to see movies that will make a movie successful; it's the people all around the country; it's word-of-mouth.
Filmmaking is a huge privilege; it's not brain surgery. It's art, and art is supposed to be an enjoyable process, and it is an enjoyable experience for me.
Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.
I think its a very strange question that I have to defend myself. I don’t feel that. You are all my guests, it’s not the other way around, that’s how I feel.
I've made movies that we're very successful that we're a complete surprise, and I've made movies that I thought we're going to be very successful that, you know.
From the movie, The Boy Who Could Fly Somewhere, deep inside, we can all fly.
Woody is so musical in his filmmaking. I've never worked with anyone I've trusted so completely. He won't let you hit a false note.
Of all the movies I've done in my life, the one where I play a crazy awful psycho woman finds me my husband.
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
Everything about filmmaking tries to distract you from that first fine rapturous vision you have of the film.
Film is incredibly democratic and accessible, it's probably the best option if you actually want to change the world, not just re-decorate it.
There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen.
Making movies is a way of understanding myself and the world.
Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.
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