If somebody for some reason, for music or for movie, becomes famous, it's because they have something, something special.
I don't actually sit down and write, but I just have a lot of different ideas about films and making movies.
Since films and television have staged everything imaginable before it happens, a true event, taking place in the real world, brings to mind the landscape of films.
It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.
All my movies are achingly personal.
There's always an imbalance with actors and actresses in the industry. And I think because there are just fewer movies overall being made, it's that trickle down effect.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
In the world of movie personalities the distance between popularity and politics is short.
I've always wanted to do a family movie.
What troubles me is not that movie stars run for office, but that they find it easy to get elected. It should be difficult. It should be difficult for millionaires, too.
I don't believe in superheroes but I love Batman movies. There's a part of every person that is entertained by the idealistic, the fantastic.
One of the great things about being a director as a life choice is that it can never be mastered. Every story is its own kind of expedition, with its own set of challenges.
You always fear, when you're making a movie that has a moral to the story, that people are going to reject the idea of being taught a lesson...
The movies I made early on may not have been great, but they were all commercially successful.
I do believe that movies are subject to a million interpretations.
I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
I never wanted to be a movie star.
I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.
Unlike all the other art forms, film is able to seize and render the passage of time, to stop it, almost to possess it in infinity. I'd say that film is the sculpting of time.
I play Xbox. I have a little boy to look after. I have dogs. You know, I have things to do. I would love to be able to sit down and watch something like a movie. I watch my own movies because I have to.
How do you shoot a 150-day movie? You shoot it one day at a time.
A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes.
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