After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
3D is quite a lot more advanced in animated movies; for live-action movies we're just taking baby steps, we're just in the beginning.
Hollywood provides ready-made fantasies or daydreams; the problem is whether these are productive or nonproductive, whether the audience is psychologically enriched or impoverished.
Economically, it’s more expensive to make movies. I hope digital movies change that.
I don't have incredible knowledge about films or of filmmaking history; I'm not that kind of person.
The wonderful thing about films is how they can be understood by so many different people on so many different levels.
Movies both reflect and create social conditions, but their special charm is to offer fantasy clothes as virtual reality, a world where people consume without the tedium of labor. Characters float in a world where the bill never comes due ... and we wonder why we're a debtor nation!
There are two cinemas: the films we have actually seen and the memories we have of them.
I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.
It was easier to do Shakespeare than a lot of modern movie scripts that are so poorly written.
Every time I go to a movie, it's magic, no matter what the movie's about.
Americans just don't know what being a movie star's all about.
[On Alfred Hitchcock:] Hitch is a gentleman farmer who raises goose flesh.
Besides me wanting to be an artist, I wanted to be a movie star.
The geniuses who conduct the motion-picture business killed glamour when they decided that what the public wanted was not dream stuff, from which movies used to be made, but realism.
Though films become more daring sexually, they are probably less sexy than they ever were. There haven't been any convincing love scenes or romances in the movies in a while. (Nobody even seems to neck in theaters any more.) ... when the mechanics and sadism quotients go up, the movie love interest goes dead, and the film just lies there, giving a certain amount of offense.
For me, there is nothing more valuable than how people feel in a movie theater about a movie.
Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in it's entire print collection, right? But most of it is like cat videos on YouTube or thirteen-year-olds exchanging text messages about the next 'Twilight' movie.
Entertainment must be a satisfying emotional experience, a stirring of the heart. We need all kinds of young men and women. Those people with an artist's eye and an executive's brain that we term directors. Those wrestlers with their souls and typewriters known as authors. The beggars on horseback called actors and actresses.
Being alone is scarier than any boogey man and the reason why I don't choose to see Horror movies as a rule.
I like to make all kinds of movies. I'd do 'Ocean's Thirteen' with the right script.
Most movies are not very good. Most people know it and like to see them anyway.
When you write a movie, you have a hundred collaborators. But when you write a novel, it's yours.
I did a movie in Esperanto.
I just want to make one really good movie a year. And when I die, to know I was honest as an artist.
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