I have no want or desire to solo. I'd rather create melodies and accompanying parts.
From the time I could play the piano, I remember trying to write tunes. They were in my head, and I would just sit down and start noodling. Next thing I knew, I had written a melody.
We mothers rock into the heart of the world the melody of peace.
Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
The ageless melody, unheard, heals; the healing vision, unseen, leads; the true leaders, immortal, know...
It struck me recently, that one should really consider the sequence of a protein molecule about to fold into a precise geometric form as a line of melody written in a canon form & so designed by Nature to fold back into itself, creating harmonic chords of interaction consistent with biological function
It's always a pleasure when you can compose guitar parts from a strong vocal and not just put the melody on top of guitar riffs.
I think dissonance in music makes you think. It isn't, 'Oh, that's a pretty melody I can whistle.' You have to sit down and listen to tell it apart from other things.
Melodies are important. I always kind of pride myself on my melodies.
I'm the kind of person who can hear that stuff. If you sing along to the radio and you're not going to sing unison with the melody, but find the harmony, I find that pretty easy to do.
In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here.
I think whatever an artist does, it just has to be quality and good. I think the way Kanye's doing what he's doing with the Auto-Tune is actually creative because he just writes good melodies. He just writes good songs. He's just gifted.
I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.
Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.
When I write, it is always the melody that comes first, and it just happens to be the case that the most beautiful tunes are sad, and the lyrics follow the mood of the melody.
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
I think that music, beats, melody, sound are a natural part of our DNA, our vibe. It’s just a part of the cycle of our lives, we’re born, we have eyes, we have music.
On the last album, I didn't want to disturb the melody with too many stories. This time, I wanted to know if I was able to create images with words, with the sound of words.(...) I think that’s a good thing when the one who is listening, is feeling it in a different way that the one who creates. We are all listening with different perspectives.(...) I don’t want to impose my subjectivity to the listener.
One of the best records I’ve ever heard. Seriously, maybe top 20 all-time… I think if Rich Mullins had been given more time here, and if God had blessed his life with love and a wife, if he had the chance to see as much of the relational beauty as he saw of the natural beauty, I think he might have written some songs like the ones we find on BiRDS OF RELOCATiON. And you know that’s about the highest praise I can give someone. You will not find a combination of more beautiful poetry, raw honesty, and gorgeous melodies for a long time.
In English, the sounds and melodies I created were an inspiration to me, and words came to me as I explored the sounds, and from there I was able expand on the meaning.
I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...
It happens so quickly it seems like it's coming from somewhere else. It's not It just means that you're in sync with yourself. And whatever your goal is, in terms of hearing a melody or a lyric, the closer you get to it, the faster it comes out and the easier it is to "spit it out", as it were.
The closest Western Civilization has come to unity since the Congress of Vienna in 1815 was the week the Sgt. Pepper album was released.. . . . At the time I happened to be driving across country on Interstate 80. In each city where I stopped for gas or food — Laramie, Ogallala, Moline, South Bend — the melodies wafted in from some far-off transistor radio or portable hi-fi. It was the most amazing thing I’ve ever heard. For a brief while the irreparable fragmented consciousness of the West was unified, at least in the minds of the young.
My whole trick is to keep the tune well out in front. If I play Tchaikovsky, I play his melodies and skip his spiritual struggle.
I want to be a tuneswept fiddle string that feels the master melody, and snaps.
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