The good thing is that women have such high expectations of men that it inspires us to live up to them. That's what I learned about male-female relationships.
As an actor, it's fun to play guys who aren't just locked into a male pattern, but a lot of guys you're asked to play are fairly macho and have a certain rigid standard they're living by.
I feel like I've exhausted guys and male friendships.
By patting somebody on the back, a boy or a girl, a professional dancer, male, female, it really makes people feel good and I know it certainly made me feel good.
Being a novelist is hard for anyone - male or female. You don't get to quit your day job.
I used to get made fun of a lot for being a male dancer, especially growing up in Boston. Kids are terrible, they don't realize how heavy words can be.
Becoming the first Canadian male to win a Major Championship, especially being the Masters, was a dream come true.
I absolutely refused to make out with the gorgeous male model.
Male female slave or free; peaceful or disorderly; maybe you and he will not agree; but you need him to show you new ways to see.
For him who is perfect in love and has reached the summit of dispassion there is no difference between his own or another's, or between Christians and unbelievers, or between slave and free, or between male and female. But because he has risen above the tyranny of the passions and has fixed his attention on the single nature of man, he looks on all in the same way and shows the same disposition to all. For in him there is neither Greek nor Jew, male nor female, bond not free, but Christ who 'is all, and in all' (Col. 3:11; cf. Gal. 3:28).
Without a positive male role model in your life it is extremely difficult to become a man who benefits his family and benefits society.
I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storylines. For me, it's kind of circumstantial, but I definitely enjoy it.
I happen to have worked with male directors who don't understand women at all. Not at all. I'm flabbergasted by their ignorance.
Forgiveness is hard for me, man. It is for most American-Western males. It's a sign of weakness.
You can't expect everything to happen all at once when it's been such a male-dominated world for so long.
Males shouldnt be jealous. Thats a female trait.
It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me something ineluctably masculine about Tiptree’s writing. I don’t think the novels of Jane Austen could have been written by a man nor the stories of Ernest Hemingway by a woman, and in the same way I believe the author of the James Tiptree stories is male.
You discovered yourself and what really mattered only after you passed through the lens of the fairy tale, imposed on every human female and male alike, that someone existed out in the forest of the world for you to love and marry.
The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body.
Woman, then, stands in patriarchal culture as a signifier for the male other, bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command by imposing them on the silent image of a woman still tied to her place as the bearer of meaning, not maker of meaning.
If there's anything Trollope novels always take seriously, it is money - how it flows from one character to another, how it is managed, who has it, who deserves it, and what it means to a character, male or female.
I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.
Over the years, I’ve worried that my directness could come off as brusque or my criticisms heard in an outsize way, especially by male colleagues. I sometimes wondered whether expressing even my mildest reservation reminded someone of a chastising mother or complaining wife.
As a successful romantic novelist - one of my publishers is Mills & Boon - I create the sort of male heroes that no woman could fail to adore and few real men could hope to emulate.
Male and female gossip also sounds different, as women use more animated tones, more detail and more feedback.
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