If you stay in the mainstream of life, you let in the suffering of the world that invariably enters all of our lives by the time we're in our middle years, when we've experienced a few deaths and read a few headlines.
I want to be enriched by the music I listen to. That's the reason it never really exists in the mainstream. Because that's not what most people are after.
As I see it, mainstream comics now speak only to the hardcore few who stayed; conversing in a weird, garbled, visual pig latin only they can understand - rendering the term 'mainstream' a hollow joke - while the true mainstream, the other 99.9% of the populace, find enjoyment elsewhere.
Almost everyone working in mainstream comics started off as a starry-eyed kid reading and loving comics. We're all fans, and that's great. But when we start working on company-owned comics professionally, we have to think like storytellers instead of fans. Editors aren't looking to hire the biggest fans of the characters. They're looking to hire the best creators with the best ideas.
I really appreciate anyone trying to inject art into mainstream film.
Obviously, there are conservatives who are in the mainstream and conservatives who would take people's rights away.
To be an actor in the society in Israel, you have to be ten times better than the Israeli Jews. To get the roles in mainstream theater or to get any role, not typecast as an Arab. And also if you are ten times better, not all the time you get the opportunity.
Any judicial nominee who has said that the Constitution means what it says, not what judges would like it to mean, is going to be called an 'extremist.' That person will be said to be 'out of the mainstream.' But the mainstream is itself the problem.
We're all imperfect. And wouldn't it be great if the message sent out by the mainstream media is that we're fine being exactly who we are? Wouldn't that be great for everyone?
My whole life has been spent walking by the side of a bottomless chasm, jumping from stone to stone. Sometimes I try to leave my narrow path and join the swirling mainstream of life, but I always find myself drawn inexorably back towards the chasm's edge, and there I shall walk until the day I finally fall into the abyss.
When you see a culture where the intellectual architects of the invasion are not shamed for their behavior but rewarded within the mainstream media culture, black comedy, satire, absurdism is the only response.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
The experience on that movie (Dead Poets Society) was, for lack of a better term, life-altering. Peter Weir has a unique talent for making movies that are intelligent but also mainstream. I've never been terribly successful at doing that.
The UN stopped using Chalabi's information as a basis for conducting inspections once the tenuous nature of his sources and his dubious motivations became clear. Unfortunately, the same cannot be said for the mainstream US media, which give prominent coverage to sources of information that, had they not been related to Hussein's Iraq, would normally be immediately dismissed.
It's much harder to say "I'm going to kill three of the biggest characters in your universe in a gruesome bloodbath." There can be a lot of differing opinions in a mainstream comic book, you know? "Rogue would never do this!" But I can say, "No, Rogue suffered the death of Charles Xavier and it broke her down and she stumbled into a dark place and she started fixating on the Scarlet Witch as the cause of it all" which, there is a logical chain of events that lead to the Scarlet Witch. And in the confusion, she thought Wanda was up to doing it again and she did what she thought was best.
My experience is that journalists report on the nearest-cliche algorithm, which is extremely uninformative because there aren't many cliches, the truth is often quite distant from any cliche, and the only thing you can infer about the actual event was that this was the closest cliche. It is simply not possible to appreciate the sheer awfulness of mainstream media reporting until someone has actually reported on you. It is so much worse than you think.
Horror writers can write about everything in the real world that a mainstream novelist can--plus the supernatural, which is the most fertile field for metaphor imaginable.
According to the oral tradition of Witches, we were once the priests and priestesses of a peasant Pagan religion. Members of this secret sect met at night beneath the full moon, for these were the "misfits" and "outcasts" who did not fit into mainstream society. Little has changed over the centuries and the Witchcraft community still embraces individuals frequently rejected in mainstream society. These include gays, lesbians, transgendered individuals, and other people with the courage to live their lives authentically in accord with who they are inside their hearts, minds, and spirits.
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
Yesterday the Soros -funded far left group Media Matters made a big issue of Pat Robertson's idiotic statement that the US should assassinate Venezuelan dictator Hugo Chavez. Today Robertson's comment is all over mainstream media. Are we supposed to think it's news that Robertson has a few screws loose?
I think one of the problems with the capitalist mainstream is this: no matter what you create to respond or resist it they will buy it.
The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.
Over the years the political establishment has frowned if a mainstream politician mentions marriage.
Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence.
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
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