The creative individual is no longer viewed as an iconoclast. He—or she—is the new mainstream.
I've always felt quite like an outsider. I don't really belong in the mainstream, and I quite like that.
The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.
I created hoaxes. I confronted and challenged the majority opinion. I attacked, humiliated, and criticized the voice of the corporate mainstream media.
The failures of the press have contributed immensely to the emergence of a talk-show nation, in which public discourse is reduced to ranting and raving and posturing. We now have a mainstream press whose news agenda is increasingly influenced by this netherworld.
For me, I think there's a lot more room in cable television to tell broader stories. NBC and the networks, they're all very mainstream, and they're a little more conservative in how they approach storytelling.
E-learning as we know it has been around for ten years or so. During that time, it has emerged from being a radical idea---the effectiveness of which was yet to be proven---to something that is widely regarded as mainstream. It's the core to numerous business plans and a service offered by most colleges and universities. And now, e-learning is evolving with the World Wide Web as a whole and it's changing to a degree significant enough to warrant a new name: E-learning 2.0.
What sort of attractions do you think lured our coreligionists out of the ghetto and into the mainstream of European culture? Was it the wit of Molière, or the ingenious stage mechanisms of Pixérécourt? Or was it simply the opportunity to cast an eye, without shame, upon the living, unclad human form?
One of those blocks (that prevent the 'Middle East from entering the mainstream of modernity') is the orthodox tenet that the Koran and the scriptures contain all the knowledge required to deal with the problems of contemporary society.
One of the lessons of history is that even the deepest crises can be moments of opportunity. They bring ideas from the margins into the mainstream.
Over the years, Americans in particular have been all too willing to squander their hard-earned independence and freedom for the illusion of feeling safe under someone else's authority. The concept of self-sufficiency has been undermined in value over a scant few generations. The vast majority of the population seems to look down their noses upon self-reliance as some quaint dusty relic, entertained only by the hyperparanoid or those hopelessly incapable of fitting into mainstream society.
Nirvana's success drew attention to a marketing demographic previously ignored by the mainstream, and inadvertently started a gold rush with advertising executives, product manufacturers, merchandise distributors, fashion coordinators, and rock imitators, the latter of whom have yet to equal the sincerity, power, and wit of Nirvana.
A lot of punk rock is not going to be in the mainstream. It's below the radar. The beauty of it is that you're not supposed to always know. It's subterranean.
A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.
I was in a band in the '90s called Bikini Kill, and we were so freaked out about documentation then, and there was the whole thing, not just about the male gaze, but that people were going to misrepresent you... a kind fear of the mainstream that a lot of us had.
Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.
These so-called extremists in Pakistan should be brought into the mainstream; if you marginalize them, you radicalize them.
What I've become good at is bringing things that aren't necessarily mainstream to the mainstream.
What I've become good at is bringing things that aren't necessarily mainstream to the mainstream. What I did see on Twitter was a potential for mass publication; it's a mainstream consumer broadcasting device. It transforms customers and companies. You have to be transparent or you fail.
I don't think it is deniable: whenever we, I, conservative media, are really interested in something, the mainstream media purposely avoid it.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
If you start any large theory, such as quantum mechanics, plate tectonics, evolution, it takes about 40 years for mainstream science to come around. Gaia has been going for only 30 years or so.
I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.
It's possible that the 2012 general-election race will be the least overtly religious one since 1972, the last campaign before Roe v. Wade and the rise of Jimmy Carter brought evangelicalism into the political mainstream. That's because faith remains a complicated issue for Obama, who is still wrongly thought to be a Muslim in some quarters.
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