I live in Los Angeles, I know it exists. I know you're not supposed to taste air.
In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].
When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
If a Chinese plane landed at Los Angeles Airport having just bought down an American military plane, he wouldn't be permitted to leave the next day. So then we developed a framework which should have been acceptable as a concept to the Chinese, namely to express regret for the loss of life and maintain our position that we had a right to fly these missions.
I love London and Los Angeles equally. I was born and brought up London and then I went to Los Angeles as a teenager to stay with my sister Joan. So I feel I belong to both.
When you see the Escalades and the Hummers driving down the street, at least in Los Angeles, this dry, flat desert with shopping malls, when you see someone driving one of those through this you're like, 'You are definitely part of the problem.'
The incident itself happened in London, but because we were all based at the time in Los Angeles we moved it there. Certain details are almost exactly like the true experience, but we decided to make the film more of a thriller, in the hope that it would reach a bigger audience. That's why it's called "Selling Isobel" and not "Selling Frida." We didn't want to make a dark, depressing "movie-of-the-week."
If you get outside the world of show business and its satellites, there's a whole world of car nuts in the Los Angeles area.
My mom brought me up on old Hollywood. I had been living in Los Angeles. Respecting old movies and growing up with people that were icons that I got to speak to.
My mom used to get involved with the Black Panther activities in Los Angeles. For me it was more about how to view my consciousness on these issues with a biblical framework.
If you look at the Olympic graphics for Mexico or Los Angeles, those programs don't look contemporary by today's eyes but they really look like they are of their place and time.
In the US you have New York, San Francisco, Los Angeles, Boston, Miami and dozens of other cities; a few of them have a really strong visual character. But even with those there is just too much space between them and too many people.
Do you call the people in Los Angeles in the nineties - do you call them rebels or opposition ? They are rebels. They are not rebels even, they are beheading. This opposition, opposing country or government, by beheading ? By barbecuing heads ? By eating the hearts of your victim ? Is that opposition ? What do you call the people who attacked the two towers on the 11th of September ? Opposition ? Even if they're not Americans, I know this, but some of them I think have nationality - I think one of them has American nationality. Do you call him opposition or terrorist ?
There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.
The US stole Texas from Mexico by violence, then invaded Mexico on ludicrous pretexts and conquered half of it, what is now the Southwest and Far West. That's why cities have Spanish names: San Francisco, Los Angeles, San Diego, Santa Cruz, etc. All of this is suppressed in standard American history. But the victims remember. The conquerors typically have one history, the victims a different one - and often a more accurate one.
An economic message, an economic platform unites the factory worker in Scranton, the young woman in Los Angeles struggling to pay her college debt and the single mom in Buffalo who's on minimum wage.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
Los Angeles is many places in one place.
Virtually everyone with a high-paying job in Washington, New York and Los Angeles demanded that voters not support Donald Trump for president but they did it anyway but we never saw it coming. Why is that?
I was very headstrong about wanting to keep my name when I moved to Los Angeles. But casting directors would call my managers and say I was perfect for the part, but my name wasn't marketable - I was a young guy, and had the old man name of Gary. I kept losing jobs because of the name not being marketable, so I changed it to Garrett.
When I moved to Los Angeles, my goal was to gain respect - whether it's in big or small projects - and as long as the work is good I'm happy.
I started doing [acting] for a living, no one really warned me about the amount of traveling I would do. I always thought everything was shot in Los Angeles.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
I had just come off of doing a play in Los Angeles which actually got me the role. It was called Bent and it was at the Mark Taper Forum. I was playing a homosexual in 1930 to 1934 Berlin who is eventually put into a concentration camp for the second half of the play. I had lost about 38 pounds for that.
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