Just look at the past. Hillary Clinton is done nothing. She's been there for 35 years. She's done nothing.
Donald Trump wants to look at this situation [with immigrants] and deal with it in a humane way, and quite frankly, you know, I think this is the kind of thing people expect from a president of the United States.
You've got to try to figure out which is the bigger benefit and which is the bigger loser. It nearly killed him [Eric Clapton ]; he was in a very, very bad way for a long time, but he came through it. Most people don't come through it because they don't have the money to buy the people to look after them.
When the child sees the parent looking for something, it is as natural for it also to look for the object and to give it over when it finds it, as it was, under other circumstances, to receive it. Multiply such an instance by the thousand details of daily intercourse, and one has a picture of the most permanent and enduring method of giving direction to the activities of the young.
Most people are in marriages, and there are very few movies made about what it really is like to be married for a length of time. You always show the romantic part and all that. Or the divorce, and the horrible split, and the guy's having an affair, or she's having an affair, and they're going to get split up, whatever. But very few people just look at what actually happens in a marriage.
I look at Homer and The Odyssey and all the disparate adventures this guy goes through, and then he returns home and the question is, is he the same man who left?
My ego is nothing - look what Alexander the Great achieved. And I felt he was a figure outside time, a figure we don't even understand, because he's frankly pre-Christian, and his concepts of honor go back to Homer.
Intoxicating joy is it for the sufferer to look away from his suffering and forget himself. Intoxicating joy and self-forgetting, did the world once seem to me.
When we look at the universe, what we see by eye or with our telescopes is only five percent of the universe. The rest, 95 percent is dark. Dark meaning, first of all, not visible to our instrument. Second, dark also indicates our ignorance. We don't know what's the composition of this part of the universe.
You don't really have to dress a ton of actors. You don't really have to spend a bunch of money lining up extras to look the time period.
I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
When I look at photographs, I couldn't care less "how."
I look at a photograph. What's going on? What's happening, photographically? If it's interesting, I try to understand why.
Two people could look at the same flowers and feel differently about them. Why not? I'm not making ads. I couldn't care less.
You just go through a certain kind of drudgery every time you have to look for something. I've got certain things grouped by now, but there's a drudgery in finding them. There's always stuff missing.
Let's put it this way - I photograph what interests me all the time. I live with the pictures to see what that thing looks like photographed. I'm saying the same thing; I'm not changing it.
I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.
If you take a good look at the book [ Stock Photographs], it's largely a portrait gallery of faces - faces that I found dramatic. And some of those turned out to be reasonably dramatic photographs. But that's all it is, I think.
You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
What you photograph is responsible for how a photograph looks - the form, the design, whatever word you want to use.
There's no way a photograph has to look... in a sense. There are no formal rules of design that can apply.
A photograph can look anyway. It just depends basically on what you photograph.
Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.
In the simplest sentence, I photograph to find out what something will look like photographed. Basically, that's why I photograph, in the simplest language. That's the beginning of it and then we get to play the games.
Look, there is parliamentary democracy in most European countries, there is parliamentary democracy in Japan, there is parliamentary democracy in many countries, but in the United States, for some reason, the State is organized differently, there is quite a stringent presidential republic.
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