A lot of American shows don't last for as long as 12 episodes. They get cut after one. But certainly one of the great things about The Office in particular was that there was a beginning, a middle and an end.
I don't try to be satirical. I just try to get what's in my head on the page. And that part is hard for me to do. It takes a long, long time to make it poetic, somewhat essayistic.
Long gone are the days of the stylised old James Bond films with Roger Moore karate chopping his way through the bad guys - audiences are not going to buy it anymore. The genre has got quite serious now.
Nonviolence is a powerful as well as a just weapon. If you confront a man who has long been cruelly misusing you, and say, "Punish me, if you will; I do not deserve it, but I will accept it, so that the world will know I am right and you are wrong," then you wield a powerful and a just weapon. This man, your oppressor, is automatically morally defeated, and if he has any conscience, he is ashamed.
There is no truth to the myth that Negroes depreciate property. The fact is that most Negroes are kept out of residential neighborhoods so long that when one of us is finally sold a home, it's already depreciated.
I think the violence is important. It all depends on the genre. Rambo was ultra-violent, and I think it worked. You have to give Stallone credit. You have to respect him for taking that shot, and taking the violence all the way. He was the first one to do that in a long time. It fricking worked.
I grew up with my career being thrust upon me. It took me a long time to believe that I could do more than that one aspect of our business.
I've had a wonderful career and I'm very happy to have had all of the opportunities that I've had to tell stories and work for as long as I have. I'm sure there'll be a few more films but I'm happy that I'm able to be selective.
When you get into fashion, when you're not yet working in fashion, you have this idea about what the fashion world is: that it's very glamorous, it's the red carpet, it's very editorial. But really, what you don't understand until you get into it, is what goes on the rest of the time, which is just hard work. Besides passion and dedication, it's the grit. How long are you willing to be in it to become successful?
As long as it's not an easy, outdated stereotype and it comes from an interesting or emotionally driven place, then anyone can be made fun of.
For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.
I did with my wife a comic book for the Raynham Hall Museum in Long Island. They sell the book every single time a busload of kids comes in.
We continue to believe that a two-state solution is the only way for the long-term security of Israel, if it wants to stay both a Jewish state and democratic.
I think the most important thing is to take the long view on things. We live in such a 24/7, Twitter-fed, constant news cycle, and everything's a crisis, everything is terrible, everything is doomsday, everything is - if it doesn't get solved tomorrow, your presidency is going off the rails.
What can I do to make sure that middle-class families are feeling more secure, that more young people are able to access opportunity, that we are safe, that we are working with our international partners to try to create more order at a time when there's a lot of chaos? How do we deal with terrorism in a way that's consistent with our values? As long as I stay focused on those north stars, then I tend not to get too rattled.
The idea of being a professional actor never occurred to anybody, including myself, for a long time.
I often need a long time to understand things, to imagine a painting I might make.
One of the most important things for a country, particularly when it's seeking to attract long-term capital in big risky projects that are going to have a payback over many years if not decades, is to be seen as being a predictable environment where tax changes will be few. But if they are going to come about they'll come about in a way that you know is predictable, understandable.
I've been around in public life for a long time. I think people know what I stand for. They know that I have strong convictions, committed principles and I'm prepared to stand up for them.
Don't get down on yourself that you can't run a 4K or dance all night long at a fun club. Give yourself a break.
Аs long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.
I've always longed for the theatre and acting to be popular. No actor wants to play to an empty house. We only do it for an audience. The more the merrier. I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
There was about six months when I was absorbing other stuff and not drawing very much. After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
I never learned to play properly either, I was a little bit too lazy for that, but as long I could express myself in a way that had sound, I was happy.
Obviously, comedy, or art in general, or television, or whatever you want to call it's all subjective. But I do like to know what people are thinking. I don't know how long I'll keep doing that. As it goes on and on, I might become more fearful of it. For the time being, I'm not opposed to reading what people write.
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