Whether it was good or bad, that was the day, and you have to let it go.
I subscribe to the idea that personality is like a muscle, and sometimes you have to let it go limp and detach yourself from any associations.
Although every pain has different degrees of importance, I go through all of the emotions - from crying, anger, bitterness, anxiety, etc. Feel it all. But by the end of the day, I am on my knees in prayer. The next day, I get up refreshed and begin to let it go.
There's really no point in letting failure get the best of you. Better to just let it go and move on.
Pain is part of how I get inspiration and part of how I gain wisdom on life. I guess the point I'm trying to make is that I don't transform it, I just let it be. I kind of let it move through me, let it consume me and I let it take me over and hurt me, and I let it go away when it's ready to go away and I understand that it's just part of the process.
I prefer not to overthink things because I think if I did I would never end up releasing anything. I tend to just follow my instincts when it comes to imagery or whatever is inspiring me. I just fit it together in a weird way, and I have to let it go at some point or else I would hold onto it forever.
I've learned in my older age how to let it go when things don't work out, because something incredible that I don't know about yet is probably right around the corner.
I try to not go over things from the past. Learn your lessons and then let it go.
I usually start with something that has some energy, like a compressed character or a situation that's wound up like a spring. Then all I have to do is let it go, let its energy carry the story. And that may not turn out to be the beginning of the book.
The breakup of my first marriage was my first failure; I had to learn to accept that and support the people involved. The court case brought against me by three of the band was awful, but learning how to let it go, move on, and come back together as friends and creative partners was a life lesson above any other.
Be true. Be as true and honest with yourself as you can and then you've just got to let it go from there out into the universe. Whatever happens after that, I have no control of, but I do have control of what I'm willing to put out there.
If I've been hurt, I'm not one of those people who can hide it or bury it deep within. I give myself time to work through it, cry, journal, pray, call my best friends. Then I try to take a step back and get perspective. I try to remind myself of all the positive things in my life and do my best to let it go.
Having my daughter in the backseat with her best friend, singing "Let It Go," the Frozen song, at the top of her lungs, and just watching her sing when she thinks no one is watching. That, to me, is pure love.
I recommend for people, if this is the first time they're going to see an eclipse, don't get bogged down in trying to take pictures of it, because you'll spend much too much time fiddling around with cameras. Unless you've got the strength to just take a quick snapshot and let it go at that and not mess with the camera. Try to drink it in with your eyes and enjoy it.
I love the roles that I'm having the chance to play, and I've learned to just let go a little. Children teach you that, every day. Life is large, so do the best you can and move on. Do everything you can in a given day, and then let it go.
I had judgments about how to have a baby that are not realistic for every woman. So I surrendered, let it go, and was willing to accept the outcome. All I really wanted was a healthy, happy baby.
If you pay a little bit of attention to something, and then let it go, and then come back to it, and then pay a little bit of attention to something, that's nice and healthy.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
Whenever any argument comes up, you remind her, "You cheated on me." Your relationship has no chance. You agreed to set it aside. You accepted that it happened and you accepted her explanation and you agreed to move forward, but then as you move forward, you continue to lay that off on her, and you never let her forget. Your marriage doesn't have a chance, if you don't let it go.
When I start a movie, I already feel like I'm in it. I'm not a jobbing actor anymore; most of the films I do, I'm involved with development. Some, I've taken from scratch, and worked so heavily on the script, I'm embodying a lot of the character by the time I even get close to filming, because I've asked so many of the questions that I do. There is nothing better than being able to ask all the questions, do all the work. It's when you let it go that you fly.
I do remember at my very first opening in 1979 another artist coming up to me, and he was haranguing me, saying, "Did you really intend for these things to be so dumb? You just put it there and took a picture of it." He wouldn't let it go. So that's what made me think about the dumbness aspect more.
Sometimes dramas or happenings from 10 or 20 years ago are kept alive by people on a daily basis, whether it's personal issues or bigger things such as what happened with Princess Diana in your country. Some people are still obsessed by that... or JFK and can't let it go. Films and newspaper articles keep being born out of those events.
If you love job, then you have to know how to let it go. If you have a bad audition, I think you're allowed 30 minutes of pain, maybe a day if it's really that bad. But to allow a whole week? No. That would be contradictory to the process, I think.
There was a time in my life when opportunities were so few and far between they were like little cracks in the wall, and if one opportunity came my way, I would scratch and claw and bite and I would do anything I could to make sure that I grabbed that opportunity by the throat and I did not let it go.
This is a good thing to say to film students. If there's a story point that you don't feel right about, that there's a question you have - "Does it really make sense?" Or, "Is that plausible? Is it implausible? Is it set up?" Or whatever. Go at it. Don't let it go. If there's a question in your mind, you're probably right. You probably do need to work on it and think about it more.
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