Lord, what if I miss You? What if I miss You? What if I miss You? Oh, I'm so scared! God, what if I miss You? He answered simply, "Joyce, don't worry; if you miss Me, I will find you.
Some years ago I wrote a book called The House on Eccles Street. To write this book I had to think my way into the existence of Marion Bloom...Marion Bloom was a figment of James Joyce's imagination. If I can think my way into the existence of a being who has never existed, then I can think my way into the existence of a bat or a chimpanzee or an oyster, any being with whom I share the substrate of life.
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
Jesse has opened for me extensively on the road so I’ve seen him do hundreds of sets. He is always super funny, has tons of material and the crowds love him. Bottom line, Jesse Joyce is a great comedian.
I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.
You should approach Joyce's Ulysses as the illiterate Baptist preacher approaches the Old Testament: with faith.
All really great artists, Jackson Pollack, John Cage, Beckett or Joyce - you are never indifferent to them.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
Joyce is a poet and also an elephantine pedant.
No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.
James Joyce - an essentially private man who wished his total indifference to public notice to be universally recognized.
History, sociology, economics, psychology et al. confirmed Joyce's view of Everyman as victim.
Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric.
Music is stored in our long-term memory. When we learn something through music, we tend to remember it longer and believe it more deeply. Dr. Joyce Brothers
Mr. James Joyce is a great man who is entirely without taste.
The mathematics clearly called for a set of underlying elementary objects-at that time we needed three types of them-elementary objects that could be combined three at a time in different ways to make all the heavy particles we knew. ... I needed a name for them and called them quarks, after the taunting cry of the gulls, "Three quarks for Muster mark," from Finnegan's Wake by the Irish writer James Joyce.
Not since Cassandra Wilson's Blue Light Til Dawn has a vocalist cast such an entrancing spell as Valerie Joyce does on New York Blue.
James Joyce buried himself in his great work. _Finnegan's Wake_ is his monument and his tombstone. A dead end.
Style: There is something in too much verbal felicity (as in Joyce or Nabokov or Borges) that can betray the writer into technique for the sake of technique.
There are dozens of young poets and fictioneers most of them a little insane in the tradition of James Joyce, who, however insane they may be, have refused to be genteel and traditional and dull.
A souvenir of those years is a small cottage on the cliffs of Cornwall, where Joyce and I spend a spring month every year, hiking and seeing friends.
People have always told me a lot that I remind them of Joyce DeWitt.
Jesse Joyce is a great writer.
For me, it's all about The Dubliners by James Joyce. I love The Dead.
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