You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
Early on in life I knew that I was a writer, that I just wanted to write, I love books, I love literature and after graduating college, I kind of wandered around in Europe learning languages and writing novels and never led anywhere. And then I got into like journalism in New York as a way to kind of maybe find my way into the field and it wasn't a good fit. It just wasn't right for me.
If I do, I say so. That's the only way out of that. If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words "I don't know." I mean, there are certain basic principles, like the dignity of the individual and the individual's responsibility, and certain basic economic principles, like how when something costs less, more of it will be consumed... There are certain things that I feel pretty confident about.
You had journalist saying during the campaign that Donald Trump compels them to suspend all objective standards of journalism.
It's completely inappropriate. It's not journalism. It's opinion.
The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
One of the principles of journalism is you don't lie. You never lie.
Think of Instagram. Journalism will continue to exist, but communication is now visual.
My father always wanted me to be president of the United States, and his fallback position was that I not become a ward of the county. I think my father was okay about my going into journalism, though.
It's not the day in which I grew up, long time ago, where we had three news networks. No cable, no social media, no internet. Where what you see is what you got. We had basically straight journalism. We don't have that anymore.
We have some straight journalism, but then we have opinion and perspective. And I think a lot of people, especially young people, don't know how to tell the difference, and aren't motivated to tell the difference.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
Prediction is a low form of journalism.
There have been so many individuals who have really put a lot on the line. That they've sacrificed so much to try to protect the principle of source protection in the journalism world. And I think Julian Assange, and WikiLeaks, and Sarah Harrison have really been extraordinary in standing up for that.
Investigative journalism and reporting has become much more dangerous. This is especially true for journalists and sources in National Security - but it has been getting pretty bad for beat reporters and small outlets doing local reporting, too.
I certainly don't mean to suggest that all investigative journalism prior to 9/11 in the US was praiseworthy. But there were more examples to which one could point, and there were at last some activist photographers who understood that getting information into the public sphere in spite of military censorship was a right and obligation within democracy. That strain in war journalism did nearly vanish during that time.
I personally feel that there's a lot of music journalism that is dominated by genre, because you need a language in which to write, but actually the things that strike people about music, are very hard to write about, and its sonic connections, it's a sense of harmony that I think we all have even if we don't know how to express it - it's something musical, it's synapse connections in our brain.
I think it's a real shame so many schools have taken out the hands-on classes. Art, music, auto mechanics, cooking, sewing, these are all things that can turn into jobs. You know, wood shop, steel shop, welding. These are all things that can turn into great careers, get kids interested. Things they can do with other students. Other things for our word thinkers: journalism clubs, drama clubs.
I think there was a moment in the middle part of the century into the 60s, 70s when at least elite journalism claimed to be non-partisan. You can go back and look at it and wonder about how non-partisan it was.
I'm happy to have interns at The Weekly Standard and happy to have readers of The Weekly Standard, but if you all tell me that you were busy reading Plato and [Lev] Tolstoy and playing violin in the orchestra, I'd say that was great. I wouldn't tell you to take time out from that to get involved in political journalism.
The most important thing the giant philanthropies could do - Gates, Rockefeller, Ford, Open Society Institute, and new ones emerging - would be to create a $2-to-$3 billion Trust for Independent Journalism. They wouldn't miss the money, and democracy would still have a fighting chance because of their investment.
Journalism's been a continuing course in adult education for me.
When Trump says fake news, he means journalism that makes points with which he disagrees, usually about him.
One of the things that always drives any practitioner of journalism crazy is you'll run it people who say why doesn't the media cover this or that? Well of course the media covered it. Why didn't you read about it? And, you know, it's, you know, there you are, it's not the journalist's job to knock down your door, you know, punch the URL into your computer and force you to stop watching the Kardashians and to read, you know, a report on integrity in government instead, it's your job.
My English teacher, Dr. John Lindstrom, taught me an appreciation for the written word. Until his class, I'd dabbled in journalism and essay writing. But when he selected one of my essays as the best in the class, it gave me the confidence to see myself as a writer.
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