In fact, when they wake up in the morning, they're Jack Nicholson or Robert De Niro or Josh Brolin. And it's built-in, but they think it's all this other stuff. But it's not. They'd be great if they didn't think about their part or if they did think about it.
Well we were lucky because we started in Canada where everybody has a sense of humour! We flirted a little while with Josh Groban. He was personally interested in it. He said oh I'd love to do something different, and I said well it's pretty different! But in the end the dates didn't work out.
It was fun shooting with Josh [Holloway], not just how great he is, but just how handsome he is.
Shannon and all of us started the band so it just felt really natural, and then she quit, and then she came back, and then she quit again. I love working with her and would do it again, but that's just not in the cards. And Josh is a great person to play with - he can play any instrument. He's really inspiring and positive. It was great. It was meant to be temporary.
Josh Duhamel is somebody you can't take your eyes off of, and same with T.R. Knight. It's a car that you want to run up to 100 mph, right away.
While I do not agree with all of the claims made by experimental philosophers, especially those who seem to think xphi will somehow replace the rest of philosophy, I think xphi projects are interesting and important, I love Josh Knobe's work, and that these projects contribute something new and worthwhile to the philosophical conversation.
The Josh Brolin character in that movie [Hail, Caesar!], he's given a choice to leave, to do something where he wouldn't have to work as hard. And he'd rather work and deal with the madness of what he's doing because it thrills him, because it gives him meaning.
Jennifer [Lawrence] and Josh [Hutcherson] seem very, very grounded. They're getting down to the film like they did last time.
That was cool, because they've all [ George Clooney and Josh Brolin and Scarlett Johansson] worked with the Coens. They were much more at ease with them at the outset, and they were all kind of familiar with the shorthand that the Coens had.
I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].
My good friend Josh Bibby happens to be a pro skier and has used my music in 2 international ski films.
I will say that I'm going to take full credit for this. I knew Josh [Hutcherson] was going to be a star. One of the things you do, as a music video director, is spot talent. Th at's one of my things. I don't just do random people.
I loved The Sarah Connor Chronicles that Josh did, and I loved that it was a family drama with a huge, different element. And this is also a family drama with a huge, very different element. I think he'll kill it. It will be great.
The most fundamental decision we all face over the course of our lives is what we will recognize as the ultimate reality, the uncaused source and cause of our existence. Everything else in our worldview depends on that initial decision. The Bible speaks of this foundational choice in terms of who or what we worship. We must all answer the challenge Joshua issued to the Israelites as they were poised to enter the Promised Land: "Choose this day whom you will serve" (Josh. 24:15).
I got to play with some of the best players in the game, from Victor Martinez and Travis Hafner and Grady Sizemore in Cleveland, to here with Ryan Howard, Chase Utley, Cole Hamels. Obviously, to Seattle with Ichiro and Felix Hernandez, and then to Texas with Josh Hamilton, Ian Kinsler, Mike Young. It was a great experience. Without being traded I never could have gotten to do any of that.?
I was raised on Josh White, the Weavers and Pete Seeger. The music was everywhere. You'd go to a party at somebody's apartment and there would be fifty people there, singing well into the night.
Josh Gad and I have been friends since the time he auditioned for Modern Family. I directed the pilot for that, and that's how we met.
Josh [Gad] does such an amazing job playing a lovable idiot. Not many people can do that, as convincingly as he can.
Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."
In real life, Josh [Gad] is a different kind of lovable idiot. In real life, he's a much filthier idiot. He has a dirty sense of humor.
Josh [Friedman] and I have been friends for years, and he said, "Hey, if you ever want to do a TV show, I can take it over and run it," and I was like, "Yes!" He's always been so busy that I never dared to ask that, but it just worked out, time wise, that this was the season where we could probably do it, so I jumped at it. So, even though I'm busy with other stuff, I'm excited to be writing this.
Josh Graves laid down the dobro on that song [The White Trash Song] and he was hot. We went on the road together and we'd get drunker'n hell every night! I haven't had a drink since November, 1979. And I like it.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
I have a huge crush on Josh Hutcherson and all the guys in One Direction!
Her hands flew to her mouth. 'Are we even twins?' Josh rested his hand on her shoulder and brought his forehead to rest against hers, strands of their blond hair mingling. 'I will always be your brother, Sophie. I will always look after you.
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