I have always been a person who is concerned with the dignity of jazz music and the way jazz musicians have been treated and are treated, and the fact that the music has not been given the kind of due that it deserves.
I tell my students, 'It's an important tradition and you have to go back and hear this music and learn its language all the way through. How are you going to know what's new to play, if you haven't listened to everything that's old?'
If someone has been escaping reality, I don't expect him to dig my music.
I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people.
Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art.
A goal is a dream with a finish line.
Jazz isn't dead. It just smells funny.
Playing 'bop' is like playing Scrabble with all the vowels missing.
People sometimes forget that jazz was built not only in the minds of the great ones but on the backs of the ordinary ones — ordinary musicians.
Do not fear mistakes. There are none.
Talking about music is like dancing about architecture.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
After silence, that which comes nearest to expressing the inexpressible is music.
When you're dead, you're done.
This is so nice, it must be illegal.
We're not like pop musicians who have to perform the same top ten tunes every night of a tour.
My life is music, and in some vague, mysterious and subconscious way, I have always been driven by a taut inner spring which has propelled me to almost compulsively reach for perfection in music, often - in fact, mostly - at the expense of everything else in my life.
In Europe, they like everything you do. The mistakes and everything. That's a little bit too much.
They tell me Wagner's music is better than it sounds.
You can't play anything on a horn that Louis Armstrong hasn't played
I believe that regardless of how many people you've listened to or emulated over the years, your sound is you and what you really feel inside.
"If you don't make mistakes, you aren't really trying."
At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There's no beat anymore. You can't keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There's a new idea that consists in destroying everything and find what's shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand.
Boxing is like jazz. The better it is, the less people appreciate it.
Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
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