I wanted to be in Rolling Stone number two with a tomorrow feel to it, like an experimental Rolling Stones with Jagger singing.
The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.
I've made a contribution to my time and my generation through being myself, not through what I shared with the Rolling Stones. It's very bad for me and very dangerous to see myself as someone who had an influence on this song or that song. It immediately puts me in the position where my worth is dependent on how much of my soul I shared with Mick Jagger, and it's just not valid. You can use the gossip you've heard. You're not getting it from me.
And, you know, I still haven't been contacted by Mick Jagger, either!
I think Mick Jagger would be astounded and amazed if he realized that to many people he is not a sex symbol, but a mother image.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
I found Mick Jagger... very bright. I always liked him very much and still do.
And one thing about Mick Jagger is he keeps his eye very closely on not only where the dollars go but where the pennies go.
Obama was 200 percent advertising. I promote myself to sell my brands. Because now I am a kind of celeb. I am in a different world than the fashion industry. I am with Mick Jagger, Michael Jackson, Madonna. I build me as a celebrity.
They looked at me like I was some kind of threat. [Mick] Jagger really tried to put me down, but there was no way some crude, lippy guy was going to do a number on me. I was always able to squelch him. I found out that, if you stand up to Mick, he crumbles.
I remember Mick Jagger asking me 'hey, how do you guys feel about us coming over here and taking all the play from you guys?' I said 'Well, in a way, you have eliminated all my competition.
Mick Jagger is about as sexy as a pissing toad.
Mick Jagger's lips' so big, black people be going, "You got some big-ass lips!"
One night all the James Brown band was playing on stage and I look in the back and I could see Mick Jagger and Keith Richards trying to get in the club and they couldn't get in cause it was to crowded.
Be the Mick Jagger of the mailroom, the Warren Buffet of bookkeeping and the Bono of stapler selling.
I've got the moves like Jagger.
The run I was on made Sinatra, Flynn, Jagger, Richards, all of them look like droopy-eyed armless children.
The Stones also still have a huge following. Mick Jagger leaps around like a crazy dude. And Keith Richards, Ronnie Wood and Charlie Watts are playing great too.
I look at Jagger and the like and if I see a good attitude I'll admire it but I wouldn't copy their style.
Mick Jagger can't even make a successful solo album, and the Stones are the biggest rock group that ever was.
I didn't appreciate Mick Jagger until I got older, and mainly because of the Mick Jagger swagger. He defined that for the world. He was bold and adventurous with it, too - just the ultimate rock star.
My story is really an affirmation of my strength and my luck. To live with a great artist like Ted Hughes or Mick Jagger is a very, very destructive role for a woman trying to be herself. In fact, it can't be done.
Link is a quiet man to meet- easy and courteous. His music, though, betrays that deep inside he gets very very mean very often. I remember being made very uneasy the first time I heard Rumble , and yet very excited by the guitar sound. And his voice! He sounds like a cross between Jagger and Van Morrison, even sometimes like Robbie Robertson. We met him in New York in 1970 while recording Who's Next.... this later inspired the b-side Wasp Man, a tune we dedicated to Link Wray.
I was looking at people like Jim Morrison and David Bowie and Mick Jagger and I thought, Ah! I want to look like them.
I'd love to interview Mick Jagger, but that might be scary.
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