Church attendance may be dipping, but God can survive the Internet age. After all, He knows a thing or two about resurrection.
I rarely saw people sitting at computers producing real code wearing ties.
Sometimes we do get taken by surprise. For example, when the Internet came along, we had it as a fifth or sixth priority. It wasn't like somebody told me about it and I said, "I don't know how to spell that." I said, "Yeah, I've got that on my list, so I'm okay." But there came a point when we realized it was happening faster and was a much deeper phenomenon than had been recognized in our strategy.
[On the Internet and activism:] The danger of the Internet is cocooning with the like-minded online - of sending an email or twitter and confusing that with action - while the real corporate and military and government centers of power go right on. In a way, the highest purpose of the Internet is to bring us together for empathy and action. After all, the reflector cells and empathy-producing chemicals in our brains only work when we're physically together with all five senses. You can't raise a baby online.
I sense an insatiable demand for connectivity. Maybe all these people have discovered important uses for the Internet. Perhaps some of them feel hungry for a community that our real neighborhoods don't deliver. At least a few must wonder what the big deal is.
The Internet has no such organization - files are made available at random locations. To search through this chaos, we need smart tools, programs that find resources for us.
We don't believe it's possible to protect digital content. What's new is this amazingly efficient distribution system for stolen property called the Internet-- and no one's gonna shut down the Internet. And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock--open every door. It only takes one person to pick a lock. Worst case: Somebody just takes the analog outputs of their CD player and rerecords it-- puts it on the Internet. You'll never stop that. So what you have to do is compete with it.
No system in the world is so well-designed that it can't grow stale, rigid, or corrupted by those who benefit most from it.
With respect to the Internet and emails, this does not apply to U.S. citizens and it does not apply to people living in the United States.
The cool thing about the Internet is that it's allowing women more access to their own history.
I think that the Internet is really cool because a lot of young feminists don't feel like they have to reinvent the wheel.
It's not sufficient in the internet age to communicate through the media; you have to be able to do it on the ground, door by door, coffee shop by coffee shop, shop floor by shop floor. You really have to do that as well.
There will always be music on the Internet that people can steal. What's new is not theft. What's new is a distribution channel for stolen property called the Internet. So there will always be illegal music on the Internet.
I'm trying to stay open to the idea that the Internet is not the evil foe of publishing but the handmaiden that will turn out to be a blessing for poets and writers.
If the internet has taught us anything, it's that you want less news and more cats.
The public feels that if it's on the Internet and you can access it, you deserve it. You haven't committed any kind of crime. We may even have to rename piracy. But in any case, we have to confront it.
I've always thought that one of the things that the Internet and the gaming world permits as a narrative technique is to not tell the story from beginning to end - to tell stories sideways, to give alternative possibilities that the reader can, in a way, choose between.
People feel completely anonymous online. They can say whatever they want, do whatever they want, why not go the next step and kill people through the Internet?
The Internet gave a place like, 'Oh, I'll do whatever I want now. Nobody's going to see it anyways.' Oddly enough, people started watching and I got more confident, comfortable with it.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
If you forget about the money issue for just a minute, if it's possible to do that - because these are people's livelihoods we're talking about - and you look at Internet in terms of the most amazing broadcasting network ever built, then it's completely different. In some ways, that's the best way of looking at it.
The Internet is such a paradoxical space - it's limitless and totally bounded, apparently free yet corporate-controlled, apparently invisible yet surveilled, a place of disembodiment where bodies are policed and enviolenced, a place that is apparently 'nowhere'.
The Internet is a graveyard, a bright malfunctioning littoral, and it is entirely necropastoral. But the necropastoral can't be sustained - it's non-sustainable.
Wherever you turn you cannot live without internet, phones .. So I think the film industry will change, but I still believe that the TV will survive in the same way the cinema survives.
If you want to change the world right now, it’s not so much a secret how you do it. You put the secrets of a criminal government on the Internet.
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