In every moment God expresses Himself in, as, and through you. Built into you is an internal guidance system that shows you the way home. This is the voice that speaks to you always of your highest choice, that places before you your grandest vision.
We have weathered the worst storms and the safety of the shore, though distant, is in sight. We can look to the future with robust confidence provided we do not relax and fritter away our energies in internal dissensions. There never was greater need for discipline and unity in our ranks. It is only with united effort and faith in our destiny that we shall be able to translate the Pakistan of our dreams into reality.
I am a mystic and am directed by an internal compass. I am not outer-directed.
Over the decades, you got various companies involved in making escalators and you've got Metro varying between internal repair crews and contractors. They're dealing with old equipment, which of course is prone to break down, and the repair crews don't even know what's busted or who made the busted parts till they tear the things open. Then sometimes they have to go back to the shop and manufacture parts, because the original maker has gone out of business.
No one can threaten poetry. It's always been there, always will be. Humans need it to live: it has sustaining powers. How could we (anyone) get through adolescence without some form of song? Song is only a version of lyric poetry that is carried more by melody than by internal coherence and unity. but lyric and song - they are the same.
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
Also, as a result of the involvement of American foundations that have backing from the U.S. State Department in Iranian internal politics, cultural exchange and dialogue have become more and more problematic.
We're all impostors to ourselves. By that I mean that we know instinctively, intimately, the difference between whom we are inside and who we appear to be to others. Most of the time - when we aren't flat lying about something or playing a particularly stylized role in some heightened dramatic situation - this difference between the internal and the external is modest and manageable.
My work often begins as little internal dares, wondering if I can pull something off. So I spent a few years drawing these stories together, trying to build a Pangea of what began as separate continents.
I prefer assonance and internal rhyme to end rhyme. I mean, the sonnet already looks like a box. Best not to get too boxed in, though.
I watch a happy person doing stand-up, and I go, "What the hell is this? This person's happy!" You need internal conflict. You need the guy to be out of step with society. It's a tool for comedy.
I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion.
I try not to divide plot and character. I get to know a character by what they want and fear and how those internal forces play out in their lives.
Why doesn't anyone address the substantive question of why other states blatantly interfere in Israel's internal affairs? Israel does not meddle in the affairs of other states in a similar way, so why do other countries feel entitled to do this to Israel? These actions violate Israeli sovereignty and I expect European Union member states to act differently.
The National Security Adviser is supposed to be an arbiter of policy and open minded in internal debates. But the playing field was never balanced. It was always tilted toward Rumsfeld's position, which is obviously the same as Bush's.
I grew up on welfare in the South Bronx; I had a very tough upbringing in that neighborhood. Reading books like The Four Agreements, A Return to Love, and The Power of Now helped me to overcome many internal battles. Had I not worked on myself, put value in myself, I would not have the loving and supportive people that I have right now in my life, including my husband and children
I have a sign on my door. I look at it every single day of the week. The sign says, "Attitude is everything, so pick a good one." You need a very strong internal knowing. For instance, when I sat down to write the book The Power of Intention, I had a very strong internal knowing that I call thinking from the end.
In the same way that when the car got going, people thought it would be an electric car, people thought it would be a steam car. Actually, the dark horse in that race was internal combustion, but because of the energy density of gasoline and discovery of oil in large amounts at that point in first Pennsylvania and then Texas, it won out over those other two, to the point that those other two are actually viewed as obscure footnotes in history.
By focusing on love and cultivating an internal security, we can start to take the steps in our lives to create profound change.
We're trying to fill something internal with something external. We're trying to fill something real with something illusionary.
I was a very focused and determined woman and I always got what I wanted. But once I had it, there was another future moment when I had to attain something else. These internal yearnings keep happiness in a future moment.
Happiness is a choice I am making now. Once we understand that and find love consciousness, we learn that this place of internal plenitude needs nothing.
I grew up the son of an acting teacher but I've never been really good at articulating what that process is. It was always a bit more internal.
Conscious experience as such is an exclusively internal affair: Once all functional properties of your brain are fixed, the character of subjective experience is determined as well.
One of the interesting characteristics of the Ego Tunnel is that it creates (as Finnish philosopher Antti Revonsuo called it) a robust "out-of-the brain experience", a highly realistic experience of not operating on internal models, but of effortlessly being in direct and immediate contact with the external world - and oneself.
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