Speaking as a phenomenologist, it seems to me that a considerable portion of mind wandering actually is "mental avoidance behaviour", an attempt to cope with adverse internal stimuli or to protect oneself from a deeper processing of information that threatens self-esteem.
Yes, there's a relaying of internal states that only a novel can achieve. In my view, the novel is one of Europe's greatest gifts to the world. America and Africa collaborated to give the world jazz. We'll call it even.
Internalist approaches to epistemology, I believe, have a great deal of intuitive appeal. Internalists believe that the features in virtue of which a belief is justified must somehow be internal to the agent. On some views, this amounts to the claim that these features must be accessible to introspection and armchair reflection. On others, it amounts only to the claim that they must be mental features.
It is totally unacceptable for a government to interfere in the internal affairs of another government and send aid, money, and weapons, to the people who are against a certain regime in another country.
I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.
I'll have these internal moments where I'm empathizing with someone else or feeling something myself, but I'm like, "How can I see the best in this situation?" Sometimes those are the moments where you can have the most clarity.
The emotion is the execution of a very complex program of actions. Some actions that are actually movements, like movement that you can do, change your face for example, in fear, or movements that are internal, that happen in your heart or in your gut, and movements that are actually not muscular movements, but rather, releases of molecules.
It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'
Sex-ed courses look at girl's internal parts: for boys it's about ejaculation, erection and wet dreams; for girls, it's periods and unwanted pregnancy. We never talk to girls about sexual self-exploration or self-knowledge.
You must create the character's internal life. What do I mean by internal life? I mean the thoughts, feelings, memories, and inner decisions that may not be spoken. When we look into the eyes of actors giving fully realized performances, we can see them thinking. We're interested in what they're experiencing that may never be spoken, that quality of nonverbal expression - which is as much a part of the characters as breathing and as real as what they say and do. This is their internal life. It helps us believe in the characters and care about them.
The war you feel within - that restlessness, the unending uncertainty - is not to be dismissed, avoided, hated. That internal conflict is not dark, it is a beaming light trying to focus you, the rolling thunderous call of courage, the rays of greatness seeking to explode beyond your skin to touch once more the Spirit of Possibility.
A girl's modesty is first noted by her external presentation, but if it's not followed by the confidence of internal modesty, she still forfeits the power of her virtue.
The eyes and ears, seeing and hearing, are external plunderers; emotions, desires, and opinions are internal plunderers. But if the inner mind is awake and alert, sitting aloof in the middle of it all, then these plunderers change and become members of the household.
I always look at that stuff as something that's not a separate entity from the music but a visual representation of the music. I feel like your external appearance should be in harmony with your internal appearance. That's mainly our approach to the visuals.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
We are likely to feel better when we go to bed tonight if we have an internal sense that we spent our lives meaningfully today.
In any form or fashion, people are finding a way to inflict pain and sadness on people, on a daily basis. We have this situation in Turkey, we have this situation with ISIS, and we have our own internal fights within the United States.
When we're being grateful it means that we're acknowledging that life is a gift, that life is a blessing, that this body is only here for a short period of time and it really shifts the whole internal landscape of the mind and it puts things into perspective and it allows us to get our bearings. To get a firm footing in what's real, and then go from there.
While most people are conditioned to see the body as a biological machine, you can begin to view it as a field of energy, transformation, and intelligence that is constantly renewing itself. Begin to notice both your internal dialogue and how you speak about your body and aging.
I get very involved in the internal logic of sentences.
The point is that in any country, including the United States, may be in the United States even more often than in any other country, foreign policy is used for internal political struggle.
I will not meddle in America's internal political squabbles.
My early films were about self discovery, and films of internal conflict. At that level, they were very personal.
I do not even know where Bill Clinton delivered his speech and I know nothing about any funds. Both parties simply use it as a tool in their internal political contention, and I am sure it is a bad thing. But again, we welcome the fact that somebody expresses readiness to work with Russia whatever the name of that person.
My advice for aspiring writers is threefold.First, read as much as possible, both within and outside the genre you arem working in. By reading you hone your internal ear for style. Second, write. Everything comes down to it; unless you write, you are not a writer. Third, submit your work. But - stop chasing every seductive new market out there, and stop trying to write for the tastes of specific established professional markets and editors. That way lies mediocrity and eventual dissolution of your true voice, no matter how embryonic or pronounced it may be now.
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