I hope that when children read my stories that they evoke images for children. I four stories can help children use their own imaginations and lead them to act the stories out or to embark on related research, they will learn more and learn to love reading more.
If I'm reading about a river or the trees or the wind blowing or the stars at night, if you can hear that in the music in some way, you've wedded the two and your imagination takes off. To be able to hear that in music is really important.
The individual exists only in your imagination. It is just an illusion. When the Atma is one without a second, when the Atma is everywhere, where is the individual? Only in your imagination. The Atma alone is real. Realize it through meditation.
A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in their own imagination because it's still me whether I'm bearded or not.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I think desire gives us - imagination - as well as actually often we pay a terrible price for it. Women are punished around their sexuality and perceived to be immoral if they practice a certain kind of promiscuous sexuality. It's a very different thing still if you're a guy, if you're a woman and you're straight.
If you look at the last 150 years, about every 30 years or so, a new scientific discipline emerges that starts spinning out technologies and capturing people's imaginations. Go back to 1900: That industry was chemistry. People had chemistry sets. In the 1930s, it was the rise of physics and physicists. They build on each other. Chemists laid the experimental understanding for the physicists to build their theories. It was three physicists who invented the transistor in 1947. That started the information revolution. Today, kids get computers.
The spirit's there and that's not just my imagination. I think if you look at surveys and attitudes among young people, you see it.
There were [in Wilson] a lot of clues in it that you don't normally get, you know, normally you use your imagination or whatever, you get some clues in the script, of course, but yeah, it was really helpful, and I really like the graphic novel. There's stuff in there, there's a couple things in there I really wanted to use that they couldn't get in the movie, but it's definitely, he's a unique guy, you know, I never read a character like this before.
It’s a most natural way for me. I can tell people I can run in a saree and I can do five sequences in a saree. I can romance in a saree and I can do everything in a saree. For me, it’s a most versatile garment…it’s extremely sensuous and at the same time it is strong, there is an elegance and at the same time it teases your imagination…It’s very powerful.
I believe in the art of literature, I believe in freedom of the imagination, I believe in the kind of liberties that we enjoy in these lucky countries of the world.
I'm convinced that imagination is at the heart of everything we do - in art, science, even astrophysics and higher mathematics. Imagination leads us to ask, "What if?"
Fantasy is, I believe, the great nourisher of imagination. To paraphrase Einstein on how to develop intelligence in young people: Read fairy tales. Then read more fairy tales.
Business leaders love the humanities because they know that to innovate you need more than rote knowledge. You need a trained imagination.
I am a very big fan of the nation, actually. In Cicero's time, there was this idea that although we were members of the whole world of human beings, we also needed to connect our imaginations to a smaller unit. The smaller unit was something we knew we could live or die for, as Cicero died for the Roman republic.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.
America has a hold on imaginations that no other country does. I think that is partly because it is an immigrant country and there is still a kind of innocence in America that translates very well everywhere in the world.
We are still a pioneer culture in some ways. A pioneer culture has to put all of its muscle into surviving on the frontier and pushing back the wilderness. So when you start to talk about imagination, inner space, and the structures of the psyche, that becomes scary.
I see the world in ways that might be considered somewhat harsh and Darwinistic. At the same time mediated, as in Darwin, by a real idealism and an excitement about the possibilities of the intellect and imagination to deal with this somewhat brutal world.
I'm interested in history because it's a discipline that requires a lot of effort from the imagination. You need to put in a lot of imaginative effort to figure out how people lived in an era that is not yours. And in that understanding of people from a different era, I feel, is an important gateway into humanity. Because you understand human behavior. In order to understand humanity, history is important.
It's much easier to conjure characters strictly from your imagination than to have to think about whether you're representing people in a truthful way.
I think movies are expressions of our imagination; they are expressions of our conscious and of our subconscious. I think that movies can be analyzed the way dreams are analyzed, and sometimes I feel that the viewers or the journalists I discuss the film with are psychoanalysts who are trying to make sense of my dreams.
Shows like Game of Thrones, stories like that, only really come around once every 10, 15 years. I can't remember the last time a show has really caught the imagination that way. Maybe Star Wars back in the '70s.
Incidentally, I am intrigued by how many European and Latin American writers expressed their political views in the columns they routinely wrote or write in the popular press, like Saramago, Vargas Llosa, and Eco. This strikes me as one way of avoiding opinionated fiction, and allowing your imagination a broader latitude. Similarly, fiction writers from places like India and Pakistan are commonly expected to provide primers to their country's histories and present-day conflicts. But we haven't had that tradition in Anglo-America.
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