When I played in a 21-team league, there were six or seven goalies who were just average, and the equipment and pads were smaller. I came in the right era. I played for the right team. It was all speed, and creativity and imagination.
If we're going to change the game it has to start at eight, nine and 10 years old. When we were that age we'd go to the pond or backyard rink and throw a puck on the ice and play five on five, or seven on seven. You get this creativity and this imagination that comes from within, just having fun on the pond. Now kids are so focused on team play, and the coaches are so focused on positioning. You can't change it at the NHL level.
I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out the window.Although it was set in England, it didn't feel to me like an overly English book. In terms of the use of cultural references, it was not extreme, so it was very simple to go from England to America in the adaptation.
That might be the old model: to get a fixed fee. You have to start to think about other models and how they can generate interest - what it can do for a brand in the future - and about the fact that revenue can also be generated in many other ways... Just look at the one and a half million people at the free Rolling Stones concert in Cuba. And Cuba is not Central Park! So just use your imagination as to what kind of revenue can be made.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself; it is slowed down by poetics after its flight is over.
Donald Trump's blaming the media, he's blaming the GOP, he's saying that America can't run a fair election. He is swinging at every phantom of his own imagination because he knows he's losing.
Time is finite and the demands of the imagination and also the demands of the world are infinite, so sort of brokering some kind of agreement between those things is a continual, and for me, and ever-changing challenge.
Young black men are guilty of criminal behavior not because of the alleged crimes they might commit but because they are the product of a collective imagination paralyzed by the racism of a white supremacist culture they can only view them as a dangerous nightmare.
I don't think you can have an imagination without having fantasy, and you can't have that rich a life without an imagination.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
I think myself that, rather like books, music is meant to enter into the brain, well via your ears rather than your eyes but, it's - I think a lot more should be left to the imagination.
The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
We are terribly imaginative, as far as technique in science is concerned. As far as changes in social arrangements are concerned, we lack utterly in imagination.
If you happen to capture my imagination for some reason and I decide to write about you and you don't like what I wrote about you, which is entirely possible, then yes, I'm a dangerous writer.
Politics should seize the imagination.
I don't regret my votes for President Obama by any stretch of the imagination.
The making of fiction takes literally what is suggested by our imagination.
Anyone with an imagination can write about the day-to-day experiences of someone he or she is not.
I grew up in a desert, which has no kind of imagination.
I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.
It really was not that difficult a process, because I was playing [Data from Star Trek] something that doesn't exist. So it was really based on... Imagination was the key element in that, and whatever I could think of, I could do, because there was no precedent for it. It wasn't like someone was going to say, "Well, an android would never do that." They didn't know!
So Occam's razor - Occam says you should choose the explanation that is most simple and straightforward - leads me more to believe in God than in the multiverse, which seems quite a stretch of the imagination.
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