Ideas Quotes - Page 28

• Aging is God's idea. It's one of the ways he keeps us headed homeward.

  Max Lucado

  God, Christian, Religious

  Max Lucado (2007). “Lucado 3-in-1: Traveling Light, Next Door Savior, Come Thirsty”, p.387, Thomas Nelson Inc

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• Pure mathematics is, in its way, the poetry of logical ideas. ... [By seeking] logical beauty spiritual formulas are discovered necessary for the deeper penetration into the laws of nature.

  Albert Einstein

  Spiritual, Science, Logical Ideas

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• The whole idea of rock and roll lifestyle is a cartoon. It's a caricature. And at times, it's made up of people emulating others; a few who actually live that lifestyle and many who claim to live that lifestyle.

  Paul Stanley

  Rocks, Rock And Roll, People

  "How KISS Frontman Paul Stanley Keeps Fit". Interview with Ben Radding, www.mensfitness.com.

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• "I'm at your house?" Kody asked."You don't have to sound so offended. I do have people clean it, you know?""Sorry." She sighed wearily. "You have no idea how confusing it is to wake up in a strange place with no idea how you got there."Caleb laughed. "Sure I do. Happens to me frequently."She rolled her eyes at his frightening lifestyle. "Yes, but I woke up in this bed alone."

  Sherrilyn Kenyon

  Sorry, Eye, Strange Places

  Sherrilyn Kenyon (2012). “Infamous: Chronicles of Nick”, p.215, St. Martin's Griffin

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• Get rid of the bondage of body; we have become slaves to it and learnt to hug our chains and love our slavery; so much so that we long to perpetuate it, and go on with "body" "body" for ever. Do not cling to the idea of "body", do not look for a future existence in any way like this one; do not love or want the body, even of those dear to us.

  Swami Vivekananda

  Long, Hug, And Love

  Swami Vivekananda (1964). “Complete Works”

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• This idea of body is a simple superstition. It is superstition that makes us happy or unhappy. It is superstition caused by ignorance that makes us feel heat and cold, pain and pleasure.

  Swami Vivekananda

  Pain, Ignorance, Simple

  Swami Vivekananda (2012). “Raja Yoga (Annotated Edition)”, p.119, Jazzybee Verlag

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• Our ... advantage was that we had evolved unstated but fruitful methods of collaboration ... If either of us suggested a new idea, the other, while taking it seriously, would attempt to demolish it in a candid but non-hostile manner.

  Francis Crick

  Collaboration, Candid, Advantage

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• In teaching, you do not want to COVER things, you want to UNCOVER them. The best way to get good ideas is to have lots of ideas.

  Linus Pauling

  Teaching, Want, Way

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• Olive Ann describes Sanna as 'a perfectionist and a worrier.' She is obsessed with the idea of finding happiness, and for her, as Olive ann wrote in her notes for the novel, 'happiness means being first with somebody, having perfect, loving children...The theme of Sanna is disillusionment,' Olive Ann wrote. 'Her life is the pursuit of happiness and perfection, but she finds happiness and perfection impossible to obtain-her idea of happiness is constant joy, no changes.

  Olive Ann Burns

  Children, Mean, Pursuit Of Happiness

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• The message of the United States is not nuclear power. The message of the United States is a spiritual message. It is the message of human ideals; it is the message of human dignity; it is the message of the freedom of ideas, speech, press, the right to assemble, to worship, and the message of freedom of movement of people.

  Hubert H. Humphrey

  Spiritual, Wisdom, People

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• I have tried to avoid long numerical computations, thereby following Riemann's postulate that proofs should be given through ideas and not voluminous computations.

  David Hilbert

  Math, Long, Proof

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• Every successful photograph, except for lucky shots, begins with an idea and a plan. The more precisely a photographer knows what it is he wishes to do, the better the chances are that he will do it.

  Andreas Feininger

  Photography, Successful, Wish

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• And how deeply do I let business considerations affect [screenwriting] choices that might otherwise be more or less esthetic? . . . Do I choose the upbeat rather than the downer ending because I know it will score better at the preview? Can the idea be sold in a single sentence? Can it compete with space aliens and tornadoes and missions impossible?

  Edward Zwick

  Space, Choices, Crafts

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• I thought I would write something that would make some people uncomfortable. . . . What intrigued me, I think, was the idea of women of my own generation who were successful, intelligent, coming to power and suddenly in the public arena. I started to think about what they are allowed and what they are not allowed.

  Wendy Wasserstein

  Writing, Successful, Intelligent

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• GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.

  Peter Hedges

  Writing, Character, Play

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• I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.

  Wallace Shawn

  Writing, Thinking, Years

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• I think of a plot, I think of an idea, and then I wonder, How can I get that onto the stage? . . . Whatever devices you use should always be there to serve the theme. If the theme has been overtaken by the device, then something's wrong.

  Alan Ayckbourn

  Thinking, Plot, Use

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• The play is a very simple idea really; someone needs some support and consolation, and she finds a place where she gets it.

  Conor McPherson

  Simple, Play, Support

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• It was a roller-coaster process. For a long time I had no idea what I was doing. I wasn't writing with an outline. And, rare for me, I wrote scenes out of sequence. . . . I didn't understand the play when I wrote it. It was something I'd give in to. It happens to me periodically. I give over and write whatever comes to me and I don't know what it means and then I do. It's thrilling.

  David Rabe

  Writing, Mean, Play

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• I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.

  Ellen McLaughlin

  Writing, Order, Land

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• Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.

  Caridad Svich

  Mean, Writing, Thinking

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• Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.

  Israel Horovitz

  Dream, Character, Writing

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• One [of the two ideas for PROOF] was to write about two sisters who are quarreling over the legacy of something left behind by their father. The other was about someone who knew that her parent had had problems of mental illness [and that] she might be going through the same thing.

  David Auburn

  Father, Writing, Two

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• [The director's idea for the film was:] A young American or English girl goes to Tuscany to visit English expatriates. She is on a mission to lose her virginity. That's a mission easily accomplished, if that's the only mission. The story had to be more complicated than that. Because there is so little happening dramatically, there had to be something to keep you curious.

  Susan Minot

  Girl, Directors, Stories

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• . . . I wrote a letter to Thomas Pynchon asking, Can I have your permission to try to make an [adaptation] of your book? And I had no idea that he would answer me, because he's pretty elusive. But he did send a letter back that said, Yes, you can do that - as long as the only instrument in the opera is a banjo. I thought, That's an interesting way of saying No.

  Laurie Anderson

  Book, Yes You Can, Long

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