Google owns YouTube, and recently, I drew a comic about an idea for a YouTube feature - which they actually took seriously and implemented. So I'm thinking that maybe we'll have a future where Google is 'xkcd.'
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
I've had only one idea in my life - a true idee fixe. To put it as bluntly as possible - the idea of having my own way. 'Control!' expresses it. The control of human behavior. In my early experimental days it was a frenzied, selfish desire to dominate. I remember the rage I used to feel when a prediction went awry. I could have shouted at the subjects of my experiments, 'Behave, damn you! Behave as you ought!
The person must give himself an external sphere of freedom in order to have being as Idea.
A further point is that, little by little, in the current universe, everything is slowly being named; nor does this have anything to do with the older Aristotelian universals in which the idea of a chair subsumes all its individual manifestations.
Sometimes ideas feel like they were already there, and that you're just discovering them.
When you start with an idea, or something hits you, then you have to follow that through to the end, and it's the following through to the end that makes the pattern. That, for me, is choreography.
This is what I call participation in the world of ideas. That is what art-making is.
I feel there's a power in theatre, but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them, remember them a day later or not have any idea what they are about.
All I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion…What you see is what you see.
Being right can stop all the momentum of a very interesting idea.
Far from creating a new formalism, what these can yield is something far transcending surface values since they not only embody form as beauty, but also form in which intuitions or ideas or conjectures have taken visible substance.
In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
When you don't know what to do, wait for your opponent to get an idea; it is sure to be bad.
New ideas often need old buildings.
A philosopher of imposing stature doesn't think in a vacuum. Even his most abstract ideas are, to some extent, conditioned by what is or is not known in the time when he lives.
With the sense of sight, the idea communicates the emotion, whereas, with sound, the emotion communicates the idea, which is more direct and therefore more powerful.
Whatever capital you divert to the support of a shiftless and good-for-nothing person is so much diverted from some other employment, and that means from somebody else. I would spend any conceivable amount of zeal and eloquence if I possessed it to try to make people grasp this idea. Capital is force. If it goes one way it cannot go another. If you give a loaf to a pauper you cannot give the same loaf to a laborer. Now this other man who would have got it but for the charitable sentiment which bestowed it on a worthless member of society is the Forgotten Man.
There's still a lot I'm angry about, a lot of human behaviour that's appalling and despicable, but you choose what you can fight against. I always thought if I could just put something in words perfectly enough, people would get the idea and it would change things.
Getting an idea for a book is not the problem, but you need 300 ideas - an idea a page.
I'm sort of murdered for selling books. The idea is, if you make money your work can't be literary.
I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.
I work every day. I was flying the other day. and I was like, where am I flying? I have no idea, I work so much.
Only superficial minds approach an idea with delicacy.
Jargon is the verbal sleight of hand that makes the old hat seem newly fashionable; it gives an air of novelty and specious profundity to ideas that, if stated directly, would seem superficial, stale, frivolous, or false. The line between serious and spurious scholarship is an easy one to blur, with jargon on your side.
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