Harrison Ford is absolutely amazing. He is a Hollywood icon, and just to work with him was absolutely incredible.
For those whose ganglia were formed pre-TV, the mimetic deployment of pop-culture icons seems at best an annoying tic and at worst a dangerous vapidity that compromises fiction's seriousness by dating it out of the Platonic Always, where it ought to reside.
One thing I've found that's really helpful in our relationship is that she's [Anna Faris] very normal. And I don't mean ordinary - I mean, she doesn't act like a big star or a comic icon or anything like that. She's really down-to-earth and sweet, and we do talk about comedy, about movies, about our careers and possible projects.
The great style icons are tomboys
Can I tell you who is the most important fashion icon in the world? Queen Elizabeth of England. Think about that. She has never put her foot anywhere wrong and always looks fantastic.
Icon of Prague, the medieval bridge crossed the Vltava between Old Town and the Little Quarter. Gothic bridge towers rose on both sides, and the whole span — pedestrian-only — was lined by monumental statues of saints.
Here in the United States, hopefully, what we're building are not just pyramids, are not icons to one pharaoh. What we're building is a culture and a way of living together that we can look back on and say, [This] was good, was inclusive, was kind, was innovative, was able to fulfill the dreams of as many people as possible.
We destroy icons - that's what we do.
The fact is that until I saw paintings as icons, I couldn't see why people painted at all.
Maybe what a gay icon is, is a person who is rooted for — in other words, cheered on — by people who feel different.
I don't look at myself as a historical icon, but the reality of it is, yeah, I am playing for history now.
My beauty icon is Angelina Jolie.
Queen Elizabeth of England is the real fashion icon of the century. And she has a sense of humor.
When you're developing a story, for me anyway, it's all so important to get the script right, especially when you're telling the story of an icon. You've got to get it right. Otherwise, you'll get killed by critics and fans.
Shatter the icons of slavery and fear. Replace the leer of the minstrel's burnt-cork face with a proud, serene and classic bronze of Benin.
'You've got mail!' exclaims the cheery automaton at America Online. The flag on the mailbox icon waves invitingly on my computer screen. For a second, I'm 10 years old again, waiting for the postman's whistle to slice the stillness of an Australian afternoon.
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