The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
A lot of people my age are so hyper. I like hyper people.
I was a hyper kid in school and the teacher suggested to my mom she needed to do something with me.
When you work on your own life, you are less likely to hyper focus on the imperfections of your husband.
I have a hyper personality.
He said I was the most sensitive person he had ever seen- that I belonged to the hyper-hyper type and we rarely survive!
I was a pretty disruptive student in class in school. I had a hard time paying attention. I had what they call A.D.D. now, back then I was just a hyper kid.
I have a problem sometimes with being too hyper.
In stand up, you get an awareness of how you come across, but in acting there is almost a hyper-awareness on how you might be physically perceived.
I drink maple syrup. Then I'm hyper so I just run around like crazy and work it all off.
My work on hyper instruments started with simple instruments, like the piano.
There are always a few people who are hyper-normal.
My idea about collections is that you write as hard as you can for some period and what you're really doing during that time is hyper-focusing on the individual pieces - trying to make each one sit up and really do some surprising work.
The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented.
There's the whole Mad Hatter's dilemma, it was the amount of mercury that they used in the glue to make the hats. Everything was damaging. So, in terms of the Mad Hatter, looking at it from that perspective of this guy who literally is damaged goods, physically damaged, emotionally a little obtuse, and taking that and deciding that he should be - as opposed to just this hyper, nutty guy - he should explore all sides of the personality at an extreme level.
I get absolutely shitfaced. I am shitfaced and hyper and ten years old. I am having the time of my life.
We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.
I kinda have the opposite of ADD. I have a hyper-focused disorder, where if there's a given task in front of me I really concentrate on that.
I never examined my role in male culture, in hyper masculinity. I never examined it, nobody ever called me on it.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
Crash is hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint Eastwood's Mystic River, though it is not for the fainthearted.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
The news of my pregnancy got out when I was in the middle of my first trimester. I hadn't even had a chance to tell my friends. That alone was so ugly. It made me hyper-protective ... I feel uncomfortable with people reading too much about my pregnancy or my relationship. It grosses me out. It's too sweet to read about or dissect.
I have a hyper-active imagination, my mind tends to jump around a little, and I have some trouble between fantasy and reality.
A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: