I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.
A lot of it [success] is luck. That's a huge part of it that no one wants to talk about. You just got to be in the right place at the right time.
I think alcohol is a good drug for me when I'm writing. I don't think I've ever had a problem with it. I can stop for a few weeks, so I think it's okay. I don't think it's good for my liver, but I do love it. It's a huge part of my life, and it makes me happy.
Digital technology has eaten classic radio as we know it. Independent stations with disc jockeys who chose their own music have all gone; it's these huge parent companies that own a hundred stations and then decide what we should hear.
Sexuality is a topic that has huge shifts in -society. Attitudes toward different sexualities change, but the actual sexuality of a human being is something that's consistent, and it's consistently interesting, and so people write about it.
The importance of education plays a huge role.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I'm an introvert. Introverts have a huge advantage over extroverts. We can create a mission and we can act on it.
I banned bottled water from my house - we have a water-filter system so you can drink from the tap. We always drink out of glass, and recycling is a huge deal, which everybody can partake in.
When I started in the music business, travel became a huge part of my world, where it hadn't been at all. I visited parts of the world that I'd never been to and found that I was spending maybe 30 days at home a year.
I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.
I had a huge imagination. My granddad says I was a bit of a Walter Mitty character.
Dancing was a big part of my life, but I would never consider myself a dancer. I adore singing, and music has always been a huge part of my life, but I also enjoy acting.
I'm a fan. I would have been a fan of Candyman even if I hadn't been in that movie. I'm a huge fan of Star Trek, which is why I was in Star Trek: Voyager - because I begged them to be a part of that lore.
Well, not totally because over the years I've probably done 2,700 commercials. So, I'm always ticking. And in a way that was a huge advantage because I was able to take my time choosing my film subjects because I wasn't relying on the fear of not being able to work.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
I'm a huge romantic comedy fan and have been in this business for 17 years and I think for all 17 I'd hoped and dreamed and wished to some day be in a romantic comedy myself.
Having a sense of humour is really key. You have to have a sense of humour with these things and I've just tried to remain who I am. My life has changed. It's changed in the fact that I don't have the freedoms I did before, but I've also got a huge amount of other freedoms that came along with it.
Apart from The Holiday, I haven't really spent a huge amount of time in LA. Not that I avoid it, it's just that I don't often go there unless I'm doing press. The one thing I have discovered about LA with kids is that it's really great for children. They really like the sun and making sand castles.
I think there's something thrilling about going into a movie house and seeing everything on such a huge screen. I think we're in a culture now that is confronted with various sizes of screens, the biggest movie houses and then the smallest iPods.
So I'm always inspired by my fellow actors. And that's kind of a constant for me. I have huge respect for our profession and our craft. And I seek in my work to create connections, first for me with the character and then the character with the other actors, and then ultimately, all of us together connecting with the audience in a way that sometimes is subliminal, even.
There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then.
I also have always felt that television has a huge potential for the kinds of audiences that some films would never dream or ever be able to have. So that potential is very exciting to me.
I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
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