On the basis of my historical experience, I fully believe that mathematics of the 25th century will be as different from that of today as the latter is from that of the 16th century.
You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.
False history gets made all day, any day, the truth of the new is never on the news.
Millar Burrows of Yale observes: 'Archeology has in many cases refuted the views of modern critics. It has shown in a number of instances that these views rest on false assumptions and unreal, artificial schemes of historical development. This is a real contribution and not to be minimized.'
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
The traditional doctrine of man and not the measurement of skulls and footprints is the key for the understanding of that anthropos who, despite the rebellion of Promethean man against Heaven from the period of Renaissance and its aftermath, is still the inner man of every man, the reality which no human being can deny wherever and whenever he lives, the imprint of a theomorphic nature which no historical change and transformation can erase completely from the face of that creature called man.
All historical writing, even the most honest, is unconsciously subjective, since every age is bound, in spite of itself, to make the dead perform whatever tricks it finds necessary for its own peace of mind.
Susanne Alleyn's Game of Patience is a well-crafted historical mystery, authentic in every detail. Wonderfully entertaining.
I'm not a prophet I can only use historical reality to come to a view of the future, and my view is that Africa will return to being African and not European. The advent of colonialism was foreign to the country itself, but it will return to what it was before the Europeans arrived.
My friend Ronald Gottesman says...that the cause of all our trouble is the belief in an essential, pure identity: religious, ethnic, historical, ideological.
Forgetfulness, and I would even say historical error, are essential in the creation of a nation.
True counselors of despair are those who hope against hope—and historical experience—that the government can and will act constructively.
Why be an average person? All the great achievements of history have been made by strong individuals who refused to consult statistics or to listen to those who could prove convincingly that what they wanted to do, and in fact ultimately did do, was completely impossible.
It is of course the nature of historical contraction that the shortest distance to a historical destination is never a straight line.
Perhaps our Irish friends should not so completely turn their backs on their historical dishes, no matter how many jokes they might have to endure.
Our schools have been scientifically designed to prevent over-education from happening. The average American [should be] content with their humble role in life, because they're not tempted to think about any other role.
A tax-supported, compulsory educational system is the complete model of the totalitarian state.
Men had better be without education than be educated by their rulers; for their education is but the mere breaking in of the steer to the yoke; the mere discipline of the hunting dog, which, by dint of severity, is made to forego the strongest impulse of his nature, and instead of devouring his prey, to hasten with it to the feet of his master.
Man is a historical being : The realisations of the powers of human individuals living at any one time takes the cooperation of many generations (or even societies) over a long period of time. By contrast with humankind, every individual animal can and does do what for the most part it might do, or what any other of its kind might or can do that lives at the same time.
Only fools mistake politicians for messiahs.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
A nation that does not support and encourage its theater is - if not dead - dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement.
. . . What role does historiography play in the way a society and culture "remembers" past events? Does the historian have a moral or civic responsibility to this project of memory that ought to influence the way he or she engages in historical practice? Should moral concerns influence the historian's choice of subject matter, of issues to discuss, of evidence to use?
All typefaces are historical.
The roots of great innovation are never just in the technology itself. They are always in the wider historical context. They require new ways of seeing. As Einstein put it, 'The significant problems we face cannot be solved at the same level of thinking we were at when we created them.'
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