Grape juice at the communion table symbolizes the historical impotence of Christ’s blood, Christ’s gospel, Christ’s church, and Christ’s expanding kingdom. Grape juice stays ‘bottled up’, confined to the historical skins of Palestine.
No, this customary aim of research by excavators is completely foreign to the historical work with which I am occupied... my sole and only aim is to be able to establish a historical fact, on which I disagree with some eminent historians and geographers.
This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion.
Superb historical romance, with a spiritual theme woven seamlessly throughout. I much enjoyed The Covered Deep and look forward to more from its author!
The quotes are often poignant or funny (one man before the firing squad requests a bulletproof vest) and often don't register as much more than interesting historical documents from centuries past. But read in aggregate, all that pain piles up. Essentially, Elder has amassed a collection of what people say when they know they are going to die, the final product of what could be seen as psychological torture.
The linguistic and literary reality of the biblical tradition is folkloristic in essence. The concept of a benei Israel ... is a reflection of no sociopolitical entity of the historical state of Israel of the Assyrian period
History with its flickering lamp stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes, and kindle with pale gleams the passion of former days.
Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
As an historical novelist - there are few jobs more retrospective.
A nation lives forever through its concepts, honor, and culture. It is for these reasons that the rulers of nations must judge and act not only on the basis of physical and material interests of the nation but on the basis of the nation's historical honor, of the nation's eternal interests. Thus: not bread at all costs, but honor at all costs.
Darwin, Marx, and Freud meet. They may have understood other things, but the human soul, and in particular the soul of Culture-man, they did not understand. Systems like theirs are only historical curiosities to the 20th century, unless they happen to claim to be appropriate descriptions of Reality. Anyone who believes in these antiquated fantasies stamps himself as ludicrous, posthumous, ineffective, and superfluous. No leading men of the coming decades will be Darwinians, Marxians or Freudians.
A stone is ingrained with geological and historical memories.
Our allegiance is to the principles always, and not to the persons. Persons are but the embodiments, the illustrations of the principles. If the principles are there, the persons will come by the thousands and millions. If the principle is safe, persons like Buddha will be born by the hundreds and thousands. But if the principle is lost and forgotten and the whole of national life tries to cling round a so-called historical person, woe unto that religion, danger unto that religion!
Social media has created a historical shift from the historically powerful to the historically powerless. Now everyone has a voice.
What people most need now is to apply their conversion skills to those things that are essential for their survival. They need to convert facts into logic, free will into purpose, conscience into decision. They need to convert historical experience into a design for a sane world.
Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
I have come to see the real clash of the ages, involve wars and various historical circumstances, as being a clash of satan' s versus God's plan for man to learn and experience true liberty, by first receiving forgiveness of sins through the work of Christ on the cross, and then walking in the 'newness of life.
Not that I wish by any means to deny, that the mental life of individuals and peoples is also in conformity with law, as is the object of philosophical, philological, historical, moral, and social sciences to establish.
It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
In "The King's Speech," patriotism is utterly contained within a historical moment, the third of September, 1939, where the aggressor is clear, the fight is clear, it hasn't become complicated over time.
What we have to do now is to make the public at large aware that what we're looking at is not a historical event but - and I have to be brutal and I am going to say it - a racket.
Transcending class distinctions, the speaker [Stalin] portrays the relation between the bourgeoisie and the proletariat as a mere division of labor. The workers and soldiers achieve the revolution, Guchkov and Miliukov "fortify" it.[...] This superintendent's approach to the historical process is exactly characteristic of the leaders of Menshevism, this handing out of instructions to various classes and then patronizingly criticizing their fulfillment.
The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.
Historical theology has too often failed to interpret repentance as a positive creative force. ... Essentially, if Christianity is to succeed in the next millennium, it must cease to be a negative religion and must become positive.
The classical error of historical Christianity is that we have never started with the value of the person. Rather, we have started from the 'unworthiness of the sinner', and that starting point has set the stage for the glorification of human shame in Christian theology.
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