But people are now realising why I was playing bass with Hendrix.
Hendrix rehearsed different drummers, before we met Mitch Mitchell.
I wanted to be Jimi Hendrix's drummer when I was in high school, but I graduated in 1970, the year he died.
I say I'm Jimi Hendrix, Jim Morrison, Janis Joplin all wrapped up into one. If I die early ... I'll be just like those guys.
My first lessons lasted two weeks and it was Jingle Bells. It didn't make any sense at all. I wanted to know how to play like Hendrix.
The music I want to hear in my head sounds somewhere between Jimi Hendrix and Massive Attack. It's not really like my dad, but there will always be similarities because we have the same vocal cords, and I learnt the guitar the way he taught me.
Jimi Hendrix was just so fluid. His hands were connected to his soul, you know? His playing was just so emotional. You could feel the fire, you could feel the blues. You could feel the sadness. It's unbelievable.
I'd put a lot of work into playing guitar and was thinking I was pretty damn good. But Hendrix came along and destroyed everyone.
18th September, 1970; Jimi Hendrix dies. I'm still on the football team when I get the news. So I take my helmet off and confront the coach to tell him I'm quitting the team. In a moment of brilliance he gives me one look and says "OK".
Jimi Hendrix once said, 'You will never hear surf music again.' Well, tonight, you will hear 'serf' music again - S-E-R-F music.
You know, when Michael Jackson does the moonwalk, he's showing off! When Prince or Hendrix do a guitar solo, it's confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn't feel like he deserves to be there.
You're never going to see the fat Elvis in me. People I admired like Janis Joplin, Jimi Hendrix and John Belushi all died at 27. I've got jeans older than that.
I was listening to Jimi Hendrix; I just admire his artistry and creativity as an artist.
I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
Who I am as a guitarist is defined by my failure to become Jimi Hendrix.
Hendrix inspired me, but I was still more into Wes Montgomery. I was also into the Allman Brothers around the time of those albums.
I was impressed by Hendrix. Not so much by his playing, as his attitude - he wasn't a great player, but everything else about him was brilliant.
Jimi Hendrix is the greatest guitar player in the world... a guy who mastered that instrument. It was talking when he played. And when he did a solo, he made the guitar cry - or made it sound like it was coming from the devil's amplifier.
Blues artists now try and stay in a box. Back in the day at all the clubs you would see James Brown, Jimi Hendrix, The Isley Brothers, Little Richard and Etta James all play the same venues. It was a mix of funk, soul, blues and rock 'n' roll.
What excites me about a lot of the artists I love - and I realize, well, they created their own personal world that I could enter into through their music and through their songwriting. There's people that can do it instrumentally, like Jimi Hendrix or Edge of U2 or Pete Townshend. I didn't have as unique - a purely musical signature. I was a creature of a lot of different influences.
I was impressed by Hendrix. His attitude was brilliant. Even the way he walked was amazing.
I was lucky to have a guitar teacher who asked me what I wanted to learn. I brought in "High & Dry" by Radiohead and "Mr. Jones" by Counting Crows and he was like, "Alright, I'm gonna teach you these, but you're also gonna learn some stuff that I want you to learn." He taught me Jimi Hendrix and Eric Clapton, so I was getting the technical stuff and the fun stuff.
By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.
Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
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