The last point that I'd make. I had a hearing. I had all of the veterans groups in front of me. And I said to them, tell me when a veteran gets in to the V.A., understanding there are waiting lines and real problems, when a veteran gets into the system, is the quality of care good?
The reason that I'm considered to be prolific is just because I'm a good listener. It literally is me taking dictation when I write. I'm listening and typing as fast as I'm hearing the words.
I'd like to see a world where, if a teenager fears she's seeing/hearing things, she feels as comfortable seeking help as she would if she found a lump on her leg.
Basically you're doing the best you possibly could do and until it's out there and until people are hearing good feedback, I guess that's how you know you've done something good. We're so close to it that it's hard to look outside because we're inside of it, so it's really nice when you hear good feedback on the outside.
Even now, hearing the debates about Medicaid, the suggestion that somehow we could save money by cutting Medicaid strikes a chord in me personally. It seems there are some other ways we can save money rather than making it harder for people like my aunt to get health care.
I had to be naked [in Vinyl], but I was almost more nervous about having to be drunk. The director wasn't going to yell, "Too big!," during the nude scene. For the drunk scene, you can be bad drunk or good drunk. We'll see. My wife was not happy, hearing about it.
I guess that all figures into my approach because once I start hearing the imagination land stuff (that's my new phrase now I guess) I tend to tune out or start laughing at it like, "Haha, you guys really believe there is a heaven."
I remember hearing about when U2 first came out and came to America and the gay community was their biggest following. And they were totally surprised, but they were like, that's cool. And for me it's the same thing.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I love playing out. I love dance music, I love minimal electro. Especially hearing that in clubs, it's a nod to that really.
I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."
I watched this documentary on Madonna. I remember I grew up hearing she wanted to rule the world. Actually, she worked really hard - really, really hard.
I came to what I think of as the critical problem: the aging process of a piece of music. I noticed in the '70s that pieces I wrote would sound great the first time I listened to them and then on repeated hearings they sounded older and older until what seemed exciting and vibrant on first listening became stale.
As much as I liked acting for its playfulness and the reward of hearing big laughs wash over you on a stage, I always felt I should do something that I could control.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
But if you get a kick out of "The Jerry Springer Show," you're going to love it! The idea of hearing these lyrics and profanities - like the chorus at the top of the show - the idea that we're going to hear it in Carnegie Hall is just genius. It's been written with real care! It's not some crappy little musical that somehow found its way off-Broadway with vulgar-intentions. This is really beautiful, operatic music. It has a place in Carnegie Hall.
I was in the second year of my PhD when I first had the idea - I'd recently started working as a translator, which meant firstly that I was hearing about amazing-sounding books from other translators, and also that I was getting enough of an insider's view of the publishing industry to be aware of all the implicit biases that made it so difficult for these books to ever get published, especially if they weren't from European languages (harder to discover, editors can't read the original, lack of funding programmes, authors who don't speak English).
Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.
It's made a lot of people richer from hearing Earl Scruggs. And I just think we're all very lucky to have him in the world.
I want to become less and less about the laptop. That's what's lovely about an orchestra - the physicality, the way every gesture relates to something you're hearing.
The danger in having modern music tied to a period piece is that hearing something may take you out of the moment.
Dubstep has been big in the UK for years. I'm fine with hearing a dubstep drop in any song.
Hearing that [David] Bowie passed was like you don't really believe it. It's as if the sky shifted a little bit, to remind you it was there.
No words come easily to my lips. I think ultimately - what I like to think is that I'm in some sense hearing the mystery itself.
You can't quite believe what you are hearing - and it's not necessarily something that you can listen to all the time because it's too intense - but it changes the way you go about making music.
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