My purpose is to develop a country, to empower its population. It's from that same population that will emerge the man or woman who will succeed me. And they will be chosen based on the consensus that they have the capacity to lead the country.
In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
I made very clear at the time that the love of same sex couples is every bit as valuable as that of opposite sex couples but nevertheless my view actually is that marriage in the biblical sense is very clearly from the many many Christians who wrote to me on the subject in their opinion can only be between a man and a woman.
I was suckered in by the myth of the man [ William Burroughs] as much as by his work.
I had more problems with the men in our own government, and not because they were male chauvinistic pigs but because they had known me for so long. I might have been a carpool mother and a friend of their wife, and so they'd been to my house for dinner and things like and they thought 'how did she get to be secretary of state when I should be secretary of state?' So that was more of a problem.
I'm not going to say that all the cabinet appointments of the men and women, you know, obviously we might have some reservations on some, but the women's movement has congratulated them for some of the appointments and is urging and encouraging more women in the Executive Branch and high areas.
I think you have to take the man at his word [Donald Trump]. Is kind of an equal-opportunity insulter. He started by calling Mexican immigrants rapists and criminals. He moved on to denigrating John McCain's heroism during the Vietnam War. He has gone after people with disabilities. He has said Muslims should be kept out of our country. He certainly has gone after individual women in the media, in the political arena.
I think you have to take the man and say to yourself, [Donald Trump] is someone who wants to occupy the Oval Office, where Franklin Roosevelt, Teddy Roosevelt, Abraham Lincoln, George Washington, and people who were our president, and I don't think it's just a woman's issue. I think it's an issue that should be of concern to all Americans.
I'm ready to see that new RZA movie [The Man With The Iron Fists] too, it looks kind of Tarantino-ish.
It's tough though because of the whole part about getting sponsors and people out to watch women's cycling. I think the only way that women can really work it is that we have to work our way more into these big grand tours that the men have like the Tour de Georgia, Tour of Utah, and Tour of California.
A man once said when the legend gets bigger than the man, you've lost the man and you have an unrealistic picture.
So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?
I think too many politicians are not listening to the men and women they represent, and if we're going to change the path America is on, we have got to be fighting for policies not that benefit the giant corporations and the banks and the special interests and the lobbyists, which is what Washington focuses on every day, but instead every policy needs to focus on the working men and women, the truck drivers and the steelworkers, and the young people.
I had been reading a fabulous book [The Man Verdi, by Frank Walker] about [Giuseppe] Verdi, whom I adore.
I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.
I know that might sound perverse because I played Julian Assange but, honestly, I don't think it would be fair for me to judge the man. I realize that makes me a bit of a hypocrite because I was portraying him a certain way, but we were always open to the fact that this was an interpretation, not any kind of exact evidence of who the man was.
The story [in 12 Years a Slave] serves as a metaphor for the fear of having your family taken away, and for being abused in such a horrific way. I lost it a lot of times watching that film, particularly when seeing the grace of the man when he finally makes it back home aged, changed, forever brutalized, and yet he apologizes to his family for his long absence. That was such a profoundly moving moment capturing the triumph of dignity over the disgraceful behavior of those involved in the slave trade.
I'm not trying to put our women on a pedestal that they don't deserve to be on. No man is a "man" without a woman: It's a woman that helps the man to be a man.
If you take a little time and watch forensics, and see what men, sick-minded men do ... I don't know whether it's wise for women to feed the sickness that's in the man.
You don't want the men to be written in a three-dimensional way and the women, not.
The thing that I've run up against is that it's always been an either-or proposition, especially in Hollywood. You're either young and glamorous and you're going to get the lead and get the man at the end of the picture, or it's the opposite: you're a character actress, you're not attractive enough for the other role, and so you're playing the friend or the killer or the lesbian or the doctor or whatever.
I have great respect for the men and women that have fought for the USA. I have family, I have friends that have gone and fought for this country. And they fight for freedom, they fight for the people, they fight for liberty and justice, for everyone. That's not happening.
Every day I'm reassessing what I've been taught against what I see, and the man I need to be if I'm going to call myself a leader of anybody.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
Hillary Clinton put her emails on a secret server nobody knew about except for the man that was given the Fifth. Whatever happened to him? Where is he? What happened to him? Where did he go? He pled the Fifth. Never... That's the end of him.
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