In dire times of survival it's not uncommon for people to turn to their faith and that was also true for the men on the oil tanker Pendleton, which was cut in half by 60-foot waves during the hurricane.
I did a film many years ago called The Man Without A Face.Gaby [Hoffmann] was in with Mel Gibson. That was his directing debut. He did a great job.
I don't remember my childhood very well at all, but my earliest memory is holding a man's hand as I was walking down the street at about 1ВЅ. I can still remember the shoes I was wearing, but I don't know who the man was or what the memory relates to.
The day of the march, we were forbidden to go to the march site. The man I worked for, the Presbyterian minister, knew we would want to be sort of martyrs for the cause and risk arrest. He didn't want any of that going on. So he made us stay in the neighborhood.
One thing that keeps me awake at night: I am a mother and, I have to confess with great delight, a grandmother of five girls, which gives me great hope for the future - girl power! Can I say that without alienating all of the men?
hat whole phrase, "daring greatly," is from the Theodore Roosevelt quote that goes back to your original question of, what about the critics? And when I read his quote it was life-changing. "It's not the critic who counts; it's not the man who points out how the strong man stumbles or where the doer of deeds could have done the better.
My mother was a tremendous woman. I was just cleaning up old trunks and I found a book with her notes written during the war years, in the 1940s. She was studying in Lahore, which became Pakistan. She was writing about how women alone could bring peace to the world, that the men with all their greed and egos were creating all these tensions and violence. I always knew she was a feminist, ahead of her time.
The man was reportedly allowed to bring the turkey onboard as a therapy pet because it was an emotional support animal. It's so cute. It had one of those vests saying support animal, do not pet or baste.
You know, he [Alan Rickman] played these very reserved, sometimes-cold, sometimes-threatening characters on the screen, but the reality of the man was incredible warmth and humor and generosity and wicked fun.
George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.
And Eleanor's husband was the man who did the interning. And I think they - Governor Warren, who was later to become such an impassioned Chief Justice on all sorts of human rights issues, was very big in the internment process. And I think that we simply sometimes tend not to understand or remember how people felt.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
I mean, in the campaign of '24 and in '28 and '32, you know, Eleanor Roosevelt insists that women have equal floor space. And this is a great victory over time. Then she wants women represented in equal numbers as men. And she wants the women to name the delegates. And the men want to name the delegates. Well, Eleanor is absolutely furious. And because they don't want her to walk away in 1924, she wins. And this is a great political victory. She has floor space equal to the men, and she has the right to name the women.
So in 1924, Eleanor Roosevelt really gets a sense of what the limits of the battle and the contours of the battle are going to be. The men are contemptuous of the women, and the women really need to organize. She writes an article which becomes an article she writes in different ways over and over and over again: Women need to organize. They need to create their own bosses. They need to have support networks and gangs so that they are a force.
Politics is not an isolated, individualist adventure. Women really need to emerge as a power to be the countervailing power to the men. And Eleanor Roosevelt's really the dynamo and the spearhead of that effort.
Bach, of course, was my first love. He still is. I mean, he's the man of my life, that's for sure. And when I say that there's been a re-evaluation, look, to be perfectly honest, I think I have a re-evaluation of my relationship with Bach probably every day, and that will never stop. And that's probably why I still get up in the morning and I do this.
What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.
There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.
As an artist, I identify with Sandro Botticelli. We know him as the man who painted Primavera and The Birth Of Venus. The goddesses and ancient subjects he chose represented virtues which were meant to inspire people. Then he went through a dark phase when he was listening to the sermons of Savonarola, who preached against the worldly pleasures of the Renaissance. But Botticelli's works live on, inspiring people to this day. Five hundred years after his death, he still has thousands of fans!
I suppose the biggest strain was that Hoodwink is a high-octane character and he's up there like all the time. Once he's on his journey there's no let up for the man, so I actually found it a massively exhausting job to keep that level up.
Every single pore - not on the men, but on the women - is scrutinized, so I am really grateful that I feel very confident in my own skin.
All the words that George Bush used in public during the early stages of the crisis - "wanted, dead or alive," "a crusade," etc. - suggest not so much an orderly and considered progress towards bringing the man to justice according to international norms, but rather something apocalyptic, something of the order of the criminal atrocity itself. That will make matters a lot, lot worse, because there are always consequences.
I love Wilco's "I'm the Man Who Loves You." Nels Cline has that weird guitar slide at the beginning and the song is whispered actually.
As I said, I had this fabulous college education. At college I met the man to whom I've been married for 34 years and who is the father of those three kids. I seriously considered going to another college, and my life would have been completely different in every way.
The men can have a moral compass that is just unshakeable, they can have ethics that run to the core.
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