when I become death. Death is the seed from which I grow.
Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape.
American naturalist John Burroughs put it, “A man can fail many times, but he isn’t a failure until he begins to blame somebody else.
Origami Striptease reads like William S. Burroughs and Djuna Barnes howling at a brutal paper moon.
Burroughs is the greatest satirical writer since Jonathan Swift.
As a young child I wanted to be a writer because writers were rich and famous. They lounged around Singapore and Rangoon smoking opium in a yellow pongee silk suit. They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful native boy and lived in the native quarter of Tangier smoking hashish and languidly caressing a pet gazelle.
I think it was when I ran into Kerouac and Burroughs - when I was 17 - that I realized I was talking through an empty skull... I wasn't thinking my own thoughts or saying my own thoughts.
I was taken by William Burroughs’ presence and intelligence from the first time I was introduced to him, by Lester Bangs in 1975. He was thrilling to listen to. When you heard him speak, you felt that you were privy to such a rare mind. Even in small-talk, he spoke with perfect economy of language. His shoots with me were very collaborative and it was an incredible opportunity to be able to photograph him over the course of twenty years.
As for the writers who have influenced me they are many. Hemingway, Chandler, Ray Bradbury, Richard Matheson, Charles Beaumont, William Goldman, Flannery O'Conner, Carson McCullers, F. Scott Fitzgerald, and so many others. As a kid Kipling and Edgar Rice Burroughs, and Robert E. Howard.
All I wanted and all Neal wanted and all anybody wanted was some kind of penetration into the heart of things where, like in a womb, we could curl up and sleep the ecstatic sleep that Burroughs was experiencing with a good big mainline shot of M. and advertising executives in NY were experiencing with twelve Scotch & Sodas in Stouffers before they made the drunkard's train to Westchester---but without hangovers.
People talk about this often in the art world. The press releases have reached a level of absurdity and creativity - creative absurdity - that has completely detached from its intended object. It's left reality behind long ago. It's like something out of William Burroughs.
Skullcrack City messes with your mind the way William Burroughs or a bellyful of hallucinogens will do. I'm a longtime fan of Johnson. A master of derangement, he's been bringing it for years. This time, though, it's different. He's burst into the clear and is taking seven-league strides across the literary landscape.
Bizarrely funny... Rarely is a documentary as well attuned to its subject as Howard Brookner's BURROUGHS, which captures as much about the life, work and sensibility of its subject as its 86 minute format allows.
Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night do you see both the humor and the volley in the tennis match?
When I was young, I knew William Burroughs really well. And William's secret desire, which he never quite did, was to write a straightforward detective novel.
I wasn't trying to be an outlaw writer. I never heard of that term; somebody else made it up. But we were all outside the law: Kerouac, Miller, Burroughs, Ginsberg, Kesey; I didn't have a gauge as to who was the worst outlaw. I just recognized allies: my people.
John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities?
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
There is no right or wrong reading of Naked Lunch, though some readings are more common, and thus Burroughs commercial is not the issue.
With 'Avatar,' I thought, Forget all these chick flicks and do a classic guys' adventure movie, something in the Edgar Rice Burroughs mold, like John Carter of Mars - a soldier goes to Mars.
Norman Mailer thinks William Burroughs is a genius, which I think is ludicrous beyond words. I don't think William Burroughs has an ounce of talent.
Like many nonconformist and beat generation writers, William S. Burroughs takes the outcasts of society as his theme.
I was suckered in by the myth of the man [ William Burroughs] as much as by his work.
[Allen] Ginsberg totally helped that out. He was the best sales person. He was the most pop. They are still shocking and relevant, especially [William] Burroughs.
Authors and artists are still afraid of breaking away as far as [William Burroughs] did... And he did it in the 50s!
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