But the truth is, at some point, our films - almost every single one of them - are really bad. And it's largely hats off to John Lasseter and Ed Catmull who have set up a system whereby they're expecting it.
hat's just a fact of life. So I've taken music into my life and it's gotten into my blood to the point where even when I am alone, I've got something to hang onto.
Basically for everything that comes out of Five Four, I've come up with the idea or changed it in some way. I'm also working with Putnam Accessory Group, a private label hat manufacturer. I'm in the process of re-branding a line they have called Chuck. It was mostly hats and bags, but I'm adding apparel and eyewear and whatever I feel like adding to turn it more into a brand. I'm supposed to be working with Pharrell on Billionaire Boys Club, but that's on hold.
Forget fashion, dress for comfort and for ease of getting through security, so no hats, belts or unnecessary accessories.
Wearing a corset, a ball gown, heels and a swan hat with wings to fight in the forest gave me a whole new appreciation for everyday clothes, because you really become that alter ego while wearing those costumes in those environments on the set. They just influenced everything you tried to do.
In sketch comedy, wear your character like a hat, not a suit of armor.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
For me, it's about having a full life wherever I come to set my hat for a while; so I like to be in a place that offers me a base that's rich and full of people. New York certainly has that at the moment.
I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
I began my career in the arts as a model, before adding my hats as an actress, a photographer, a journalist and now, filmmaker. I've seen and experienced it all.
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
I want the music to stand out a little bit more than many other bands do. I still have some stuff where I don't use the high hat, and I don't use any crash cymbals. It just makes for an interesting sound because you don't really notice it when it's not there, but if it was there, you would definitely hear it.
I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.
Everybody when they saw it, they said, "Did Willie Nelson sign your hat?" I'd say, "No, that'd be Willie Knucklehead - Robertson, OK?" We were at an event for the fans and I took my hat off and set it down on the couch, and he signed it. I said, "What are you doing, idiot?" He said, "Look, I was in the zone, and you just happened to put your hat in my zone."
I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me.
I love funky shoes and hats. I'm into large-brimmed fedoras with big feathers in fun colors like purple and lime-yellow. I just think hats add pizzazz to your outfits.
I don't want my hair to be ridiculous. But in Texas I do wear a hat a lot, so I probably have hat-head more than I'm aware of.
Sometimes directors feel like they have to justify that hat that they are wearing they've got on as a director, and they come in and they tweak and interfere.
Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!
I love hats, I'm such a fan of hats. You don't wear a fascinator everywhere you go, but there are ways to incorporate old Hollywood nuances into your looks today but also edge it up.
That's the luck we have with making films in Europe. It's still, in some ways, a virgin territory for a lot of stories. It's funny to see people in 10-gallon hats somewhere in France or Switzerland. You think, "Wow, is this real?" You do it in Wyoming and it's redundant.
I'm not really big into Twitter and stuff, but I like to post really cool music videos, just sort of spread a positive light on things that interest me. As opposed to, "I hate so-and-so because they were wearing the same hat as me." That's just so pointless.
I think that may have been the biggest rally Donald Trump had, and he had the cap that said "Make American Great Again." So I thought that was - I liked that. We do need to make American great again, and I put his hat on for a little bit.
Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures.
I had a bunch of different colored hats I wore. When I started wearing a pink one, we won five or six tournaments in a row, so I stuck with it. It started as superstition and now it's traditionmy hideous trademark that I always wear.
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