I have a little gypsy palace here in New York. It's all mirrors, and I have my own garden. It's so secluded - the closest thing to a caravan I could find!
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
Gypsy [Rose Lee], who was called Louise as a kid, gave her first performances here with her sister [June Hovac], playing for the local Masonic lodge halls. It was a tight-knit community, and the support and success the act enjoyed here enabled them to hit the road and make it in big-time vaudeville.
In Gypsy [Rose Lee] the musical, her mother, 'Mama Rose', is portrayed as a slightly eccentric, pushy, ambitious stage mother, but that version doesn't come close to the truth.
I came upon a telegram from Eleanor Roosevelt herself to Gypsy Rose Lee that read, 'May your bare ass always be shining'. That was the clincher; I had to write about this woman.
The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine.
The first impulse of a great number of civilized musicians... is to protest ourdeclaration that the music in Hungary belongs to the Gypsies.
I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially.
Jews and Gypsies were well-nigh the only Diasporas in 19th century Europe. Now go to London, it is a collection of Diasporas.
The gypsy in my soul is living on the road again, ... When I first started my career, I was on the road for about five or six years straight, not living anywhere. Thirty-three years later, I`ve come full circle.
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I would have done well as a gypsy child, I think. A circus baby. I coulda played a great street urchin or ragamuffin. Or just been one. I certainly liked entertaining people and making jokes, but I don't know necessarily if that's what your child is prone to that you should necessarily put them in a real working industry at six years old.
I wrote a couple of songs that had gypsy references in them. The only reason it happened was because that's what was coming through and I liked the idea at that period of time. But that doesn't mean that it's a myth or that I'm a gypsy. It's gotten totally out of context.
I'm living in Los Angeles for a couple of years. I've been a gypsy for quite a while. It'll come to an end. I'm going to come back to New York.
When I tried to do something else, everyone behaved as if I was Gypsy Rose Lee trying to paint a Matisse.
The Tonys ignored West Side Story. The Tonys ignored Gypsy. It's a kind of public humiliation.
Despite my being an old gypsy there is a tendency to respectability inherent in old age.
Noomi [Rapace] felt fresh. And she's passionate and ambitious in all the right ways. She's a tour de force. Every time I was trying to have a discussion with the actors, she'd be pulling out a blade out from underneath her gypsy skirt and menace someone saying, "Maybe I should slit your throat."
I think most gypsies all over the world are used to being not really welcome and always on the run, expecting people to not like them and to be critical.
Say what you will about Gypsy women, but they are remarkable assessors of blues guitar talent.
A gypsy told me I was going to do great things. I was going to make all kinds of money.
She once said, 'I'm really a little prudish, which people may think incongruous'. I take a prudish point of view on certain films, books, and trends. Then, I pull myself up short and ask myself how Gypsy Rose Lee could possibly be this way.I thought that quote was so telling, a key insight into the way she so carefully separated who she was from her meticulous creation.
It has affected me very much in the last 10 years. I get it from my grandmother. She was very superstitious as well. I'm funny about numbers. It's become a phobia, so I have to watch it. It affects your day a lot. Before I go on stage, there are certain things I do that are semi-sort of Gypsy superstitious things, but I'm coping with them. It hasn't affected the music, thank God. If you got really bad, you'd say "I'll pick that note instead of that one or sing this song before that.
My father is a gypsy. He traveled in caravans and was branded by the Ku Klux Klan. You know I have a history about race in my family that has very much to do with the other things that you name about poverty, about class, about access - or lack of it.
I'm from a Gypsy background!
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: