I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.
My earliest musical memory was getting to watch my dad play drums in a local band. He's a banker by trade, but a drummer at heart. I remember seeing the guitar player do the solo from "Werewolves of London" with his teeth, and that was the moment that had me hooked.
Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.
Randy [ Rhoads] had small hands. Boy, could he play guitar. He became an even better guitar player after he died.
It is a well-known mystery that guitar players suddenly get better once they are dead. Buddy Holly was the first. Stevie Ray Vaughan is known by a lot more people than had ever heard of him when he was alive.
I write songs on guitar and that's about how good of a guitar player I am. I can write songs on it.
I guess that somehow I've survived as a professional guitar player. I've made it 16 years now and I feel like I'm just getting started. Variety is a secret to the success of that.
I'd probably get a much quicker and better result if I went to a really great guitar player for a certain style of guitar that I have a problem doing. But there is a challenge in figuring out if I can do that myself.
There is also the guitar player Pat Metheny with whom I'd like to work with: he is so elegant and so emotional when he plays that I am sure that, together, we could make a good team.
I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.
I am a very, very fortunate and blessed guitar player to always be surrounded by musical monsters, so my life has been a nonstop jam session. I crave the musical adventure of sonic creativity and am powerfully inspired everytime I grab a guitar.
I didn't want to fall into the trap of competing with all these other great guitar players. I just want to sidestep the whole thing and get out of the race.
The use of rock, folk, or pop music serves a purpose. It gets people into the church. But an inexperienced guitar player who doesn't have much to say, for example, can make me wish to leave the church immediately, whereas one great jazz or classical guitarist can confirm that I will have a spiritual experience in the church.
I think it's a really excellent time to be a woman in music. A lot of the past was women fighting to be where women are now. Every once in a while I'll get the, "Oh, you're a pretty good guitar player for a girl," bullshit like that. But that's all changing.
I'm first and foremost a guitar player. I've been playing since I was 12, which is over half of my life. I like the physicality of it; you can strangle it or make it sing. I wouldn't say I'm a very technical player, though. I'm more intuitive - it's always more about chasing an abstraction.
Ted Templeman, the producer, and Donn Landee, the engineer, are the same team that signed Van Halen, when they were called Mammoth. Donn convinced them to change it to the last name of the guitar player and drummer.
Oddly enough, Hendrix is not my favorite guitar player. There are very few guitar players I get feeling from.
Barney Kessel is definitely the best guitar player in this world, or any other world.
I love 'Crazy Horse,' and Neil Young is one of my favorite guitar players.
I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.
I've never really been schooled in music theory. I'm a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it's more unique that some other people.
My brother was very important to me. And he played guitar. So that's what I wanted to be. I wanted to be a guitar player. So he was the first one to inspire me to do something with my life. And I was so glad that he was there.
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