A lot of people think that if they learn to read music they are gonna lose their feel or their groove or something. It's the stupidest thing I have ever heard.
My mother is a singer, my sisters all sing, my uncles are incredible singers and guitar players, so it's just kind of been like my habitat.
I wanted to be a blues guitar player. And a singer. And a songwriter. Not a shock jock.
Describing certain sounds, there's a common language that guitar players have.
I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.
The flute was an alternative to being a small fish in an increasingly bigger pool filled with a number of great guitar players.
My father was a guitar player, and I was raised with a super high standard of what good guitar playing was.
It's hard to say this about a guy like Eddie Van Halen, one of the greatest guitar players who ever lived, but he's really limited to a style and they're locked into it.
Guitar players in the nineties seem to be reacting against the technique oriented eighties.
I'm surrounded by great guitar players.
Steve Van Zandt, the poor guy, doesn't get to play enough as it is with me hogging a lot of the solos. Steve has always been a fabulous guitarist. Back from the day when we were both teenagers together, he led his band and played lead and was always a hot guitar player.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I quit my band in New York City in 1969 and I got really angry at them. I got angry at one of my guitar players and I dove over the drum set and we got into a fight.
Still to this day, I am deeply satisfied when watching a guitar player who is connected with their art and instrument. GuitarTV helps you tap into that connection, and to each other.
I do not consider myself a guitar player. My father is a guitar player - I'm not.
I'm fine with being thought of as a guitar player, and if I can get any recognition or respect for doing that, that's a pretty good thing for me.
Every July, August and part of September I escape of the guitar, I escape of Paco de Lucia and I go to Mexico to the Carrabian. I have a little house there where I spend two months listening to music, no playing because I don't bring the guitar with me, fishing and cooking my fish and charging the batteries for new concerts.
I want to figure out how I can make the most important statement with the least amount of information, so I don't run out of ideas by the time I get to my second or third chorus.
Another guitar player who had a tremendous influence on my life was Howard Roberts ... I'd listened to a lot of Tal Farlow, Johnny Smith and Kenny Burrell, and I was certainly into those guys, but I was awestruck at the intensity and fire in Howards' guitar playing... for me, it became a roadmap.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
.. the Grand Ole Opry used to come on, and I used to watch that. They used to have some pretty heavy cats, heavy guitar players
Shortly before she died Janis Joplin gave me the Gibson Hummingbird she recorded "Me and Bobbby McGee" on ... Janis was a good guitar player, for her purposes .. she just wanted to play along with her songs, and she had a real pure and nice style for that.
There's no leader of this band, and there never will be. That's the key. You can't control how the public perceives you-people see rock'n'roll bands as the guitar player and the singer.
When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to !
My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.
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