I started off as a graffiti artist in the South Bronx. My tag name was 'Loco' because I would go crazy and tag anywhere I wanted, in the weirdest places.
Think outside the box, collapse the box, and take a f**king sharp knife to it.
I've never really considered myself just a street artist. I consider myself a populist.
The grumpier you are, the more assholes you meet.
It's strange with graffiti. You put a lot out, but you don't get that much back because not many people know who's doing it. You have your peers of about 10 guys who know you are the one painting.
His achievements read like the graffiti on the walls of a hangman's changing room.
Today I believe that man cannot escape his destiny to create whatever it is we make - jazz, a wooden spoon, or graffiti on the wall. All of these are expressions of man's creativity, proof that man has not yet been destroyed by technology. But are we making things for the people of our epoch or repeating what has been done before? And finally, is the question itself important? We must ask ourselves that. The most important thing is always to doubt the importance of the question.
Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.
You're mind is working at its best when you're being paranoid. You explore every avenue and possibility of your situation at high speed with total clarity.
Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
Law breaking, graffiti artist, dumb jock that I am, I'm pretty socially conscious.
Skateboarding, like graffiti, will never be tamed. No matter how much they monetize it, no matter how big it gets, no matter how many companies are putting millions and millions of dollars into marketing it, it's always going to be some Mexican kid on a corner in Echo Park that changes the rules of the game.
I originally set out to try and save the world, but now I'm not sure I like it enough.
But there's no way round it-commercial success is a mark of failure for a graffiti artist. We're not supposed to be embraced in that way. When you look at how society rewards so many of the wrong people, it's hard not to view financial reimbursement as a badge of self-serving mediocrity.
The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development, not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.
When you've got Jews and Christians, Muslims, Sikhs and Hindus removing graffiti from buildings, or getting drug dealers off the street, that's side by side. When you do that, you take it from the very elevated level of interfaith dialogue to the street level of neighbors. You get them working side by side, and they become friends. Friendship sometimes counts for more than interfaith agreement or understanding. Friendship is deeply human.
In Afghanistan I was doing street art because it was more open, but when I had a show, only men would come. I said, I'm an artist not only for men, but for women too. So that's why I like graffiti.
I like to think I have the guts to stand up anonymously in a western democracy and call for things no-one else believes in - like peace and justice and freedom.
I used to tell everyone I met to be an artist..... I don't do that any more.
Gray hair is God's graffiti.
A digital sound sample in angry rap doesn't correspond to the graffiti but the wall.
Bursts of gold on lavender melting into saffron. It's the time of day when the sky looks like it has been spray-painted by a graffiti artist.
I want to make the world a better place, for women, mainly.
There are four basic human needs; food, sleep, sex and revenge.
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