An individual who expresses high confidence probably has a good story, which may or may not be true.
...book-buyers aren't attracted, by and large, by the literary merits of a novel: book-buyers want a good story...something that will first fascinate them, then pull them in and keep them turning the pages.
The best way to spoil a good story is by sticking to the facts.
A good story needs only a good storyteller.
My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
I think American films right now are suffering from an excess of scale. Lots of movies we're seeing now are more akin to video games than stories about human life and relationships. Twelve- to 20-year-olds are maybe the largest economic force in the US movie business. I'm not a very nostalgic person - but I enjoy a good story.
Every good story is of course both a picture and an idea, and the more they are interfused the better.
For me, it doesn't matter whether it's a comedy, a Western or horror. As long as you've got a good story to tell, the genre almost doesn't matter. As an actor playing the role, it's all rooted in reality.
It's the purest form of silver and our tagline is "Taking the 'except fors' out of movies." We're trying to make movies with pure story - without the derogatory sex, violence and language to (rely on) a good story.
Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing.
Without the silence that follows the chants, you get only half the story. It's like the climax of a good story. The silence is there because it exists in the music. It just needs to be exposed and acknowledged.
Without the incarnation, Christianity isn’t even a very good story, and most sadly, it means nothing. "Be nice to one another" is not a message that can give my life meaning, assure me of love beyond brokenness, and break open the dark doors of death with the key of hope.
My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
A good story should provoke discussion, debate, argument...and the occasional bar fight.
As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes...
It’s interesting that in the Bible, in the book of Ecclesiastes, the only practical advice given about living a meaningful life is to find a job you like, enjoy your marriage, and obey God. It’s as though God is saying, Write a good story, take somebody with you, and let me help.
Eisner mentioned he was uncomfortable calling Kirby someone with heavy artistic intent. I paraphrase, but Eisner felt Jack was mostly concerned with hitting his page count, telling good stories, and keeping his family fed. Not pursuing some aesthetic ideal - to seek that motive in Kirby's work was, he suggested, misguided. I happened to be holding the original artwork to the Devil Dinosaur #4 double-splash, which I turned around and showed Eisner - who took a moment, and said something uncharacteristic: “Okay, I might be wrong.
There's no good story without romance.
I like a good story well told. That is the reason I am sometimes forced to tell them myself.
What I like best is a good story with a moral.
When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media.
That's probably when I get the most angry at American movies, when they just so cynically manipulate the audience without even trying to give a good story.
Original, pacy, and hugely entertaining-Seanan McGuire knows how to tell a good story!
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