Anything with a good story and characters I think would be great.
Good stories are not written. They are rewritten.
It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
A child's own story is a dream, but a good story is a dream that is true for more than one child.
What is important is not that you have a defeat but how you react to it. There is always the possibility to transform a defeat into something else, something new, something strong. All the good stories, all the people we remember are the ones who do this, who make victories out of their failures. Because the victories teach nothing. The victories are not useful. They are often dangerous.
I cannot write as well as some people; my talent is in coming up with good stories about lawyers.That is what I am good at.
It doesn't matter to me whether I go back to outer space or not [while acting]. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not.
Dean [Devlin, Emmerich's partner on "Independence Day"] and I always said that we'd only do it when we had a really good story that excites us both, and we have the story written. And we've had it for a year and a half, two years. So we've been ready.
When Hollywood sees a good story about a man who sells confidence, they see themselves and they like it.
I want to be known for good work first. A good story and good delivery is just that - period.
People just want good stories.
We want to make sure the stories that show up in Path are both good stories and are a big part of people's lives.
But I live an interesting life and I can tell a pretty good story and it has helped my career. But the downside is people know everything.
[All governments] get into a rut where every potentially good story turns into a bad one.
Over the years, there certainly have been plenty of ideas that I've had and given up on, but for this one, the only thing that was standing in its way was me doing it - I just had to write it... And then if it didn't happen, it didn't happen. But I didn't want it to be for lack of effort on my part, so I had hunch that it would be a good story and that we would work well together. And it certainly worked out that way.
Why ruin a good story with the truth?
I love comedy, I love drama, and I love telling good stories.
I've done so many movies with first-time directors, and honestly I just go with gut instinct. People that usually can tell me a good story, and talk to me about why the movie is the movie they want to make. I just go with my gut.
If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.
I'll find something in what I read that snags my imagination in emotional terms; it resonates with me for reasons more complicated than just that it seems like it would make a good story.
Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
I think there are a lot of great journalists out there. I don't find much fault in the journalist in general; I think everybody would like to break a good story.
I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.
Even films without music are inspiring, as I think a good story is full of changes, different paces, and ideas.
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