I've always believed that if you want to really try and make a great film, not a good film, but a great film, you have to take a lot of risks.
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
Honestly, I think a good film is spiritual, regardless of whether its subject is faith.
I mean, it was a mummy movie. It was a good film independent of its source. It that looks like Lawrence of Arabia on steroids in a lot of ways.
I just want to make good films on my own wherever I can.
A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.
I just want to make sure I'm contributing good films to movie history rather than being famous just to be famous.
A good film script should be able to do completely without dialogue.
I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.
Let's get a couple of things straight. It hasn't been years and years since I made a movie. I'm not coming back from the dead - I've just had two kids! I have no intention of retiring, but I do think it's impossible to do movie after movie, because there aren't that many good films made.
I think making a good film shot is joyful.
When I was in film school, it was said that all good films were characterised by some form of humour.
One of the reasons I did this, because I wasn't really looking for another science fiction film, was that my daughter can see it. She's 9 and it's really a good film for all ages.
You can always make a good film but for it to be successful, you need God's blessing.
In good films, there is always a directness that entirely frees us from the itch to interpret.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
I think Queen songs are pure escapism, like going to see a good film.
Good films are not made by accident, nor is good photography. You can have good things happen, on occasion, by accident that can be applied at that moment in a film, but your craft isn't structured around such things, except in beer commercials.
I don't think good films have messages.
As rewarding as a good film role can be, there is just nothing like getting up on a stage and taking an audience for a ride.
I'm hoping one day I can make one really good film.
I ultimately have faith though, that good films will find their audience.
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