In my early days, I didn't know what a good film or a bad film was, and I was trying to make some money. As it happens I was lucky. I made some good films.
If everyone is there to make a good film, everyone is down to earth, and everyone is there for the right reasons - the scale doesn't really matter I think.
One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.
I push to be in good films and good TV shows. I don't really pick and choose. I pick and choose what I will read for, and I've gotten to the point where I'm being offered stuff.
Whatever experimental film aromas cloaked my movies were because I'm a gleefully clumsy, primitive filmmaker. I really like traditional pleasingly narrative films, but I also just couldn't resist throwing in the disruptive. It seems to me that art-house film is at its glorious zenith right now, maybe it can even get better? There's just so many good films, you know Cemetery Of Splendour, Arabian Nights, Miguel Gomes, just so much great work coming out.
I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].
I want to make good films; I don't want to make films for the moment.
A good [film] director is talented, imaginative, and does his homework.
One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
If people offer me decent roles in good films, of course I'll take it. But I just didn't like the actor lifestyle. You end up focusing all your energy on trying to get parts you don't even want.
Bruce Campbell and Ossie Davis are just great in that, and Don's direction is sublime. Love it, and I was glad to be a part of it, if just in spirit and Don's desire for it to be a good film and for me to be happy with it. When I first saw it I was very impressed, and it gets better with repeat viewings.
I know the Pollock novel. Read it last year and liked it. Daniel Woodrell is awesome. I especially like the book Winter's Bone, and the film made from it. Larry Brown is terrific, all his work, but for me Joe in particular, also a good film, but a much better novel.
I should have my own show by now. Yeah. How many damn sitcoms does Kelsey Grammer need? How many more stupid Housewives do they need throwing tables and limbs at each other. Yeah, I guess I need to take off my artificial leg and throw it at Vanderpump. I like doing live shows - it's just getting to them that's a hassle.Doing films is fun too ... a good film ... but there's a lot of waiting around.
There is no such thing as a good script, onlya good film, and I'm conscious that my scripts often read better than they play.
Today, everything has to be made by committee, and has to have special effects, but there's always room for good films.
John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.
I'd rather have a small part in a good film with good people than play the lead in something I don't really care for.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
A good opening and a good ending make for a good film provided they come close together.
I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going to be a good film. I think all films should be really visual.
As far as I know, if you take your time, write a good script and make a good film, then give the audience time, they will accept it.
I don't think a lot of really good films get seen.
A trap screenwriters can fall into is making scripts that are good reads, which doesn't necessarily mean it will make a good film.
Good films can be made only by a crew of Dedicated Maniacs.
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