I don't think being a good James Bond girl has to do with nationality. I think it has to do with a specific person at a certain time being right for the specific needs of a given script. It has to do with talent and personality, regardless of nationality.
I'm working for a woman, not a lady. What I hate the most is that "lady" talk. You know, when I read a review, "The lady wears a Bottega Veneta. . . ." What lady? It's the same girls who are walking the runway an hour later elsewhere. But probably it is just the sophistication in our material, the nuance of the color, or the quality of the makeup or the hair that make people think that way. Most people just don't understand simplicity.
I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.
I love the spirit of young girls and women and try to keep that spirit alive in my life and in my own personality as well as facilitate that spirit to have a place of respect and honor in our society. I am a firm believer that if we turned the running of the world over to the women things would improve markedly in many of the areas in which we find ourselves in trouble: war, poverty, hunger, illiteracy, sexual violence, prejudice, etc.
As conscious adult women, if we really do care about the state of girls and women worldwide, we need to train this next generation of girls because they are going to be the ones taking over and they are going to be the ones that shift this paradigm. Unfortunately for our generation, we've been raised in a society where greed trumps all. In other words, where the bottom line is money...where money affects how we perceive each other, and how we perceive ourselves and our value. We need to break that now with this younger generation.
As conscious adult women, we need to instill a different value system. Actually, it is an innate value system. We need to tell the world that being compassionate about other people does not make you weak, and it is not intrinsically a female trait. It is a trait of the evolved human being, and it is a trait that we need to hold up as something of great worth. As women, we need to promote that, emphasize that, and nurture that. This is part of what we are doing with Global Girl Media.
When Gaddafi came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent - just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.
When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.
I'm more of a "let the man come to me" girl.
When I was starting out, it seemed like there were so many girls who were known by their first names, who were unique, who all had idiosyncrasies and characteristics that made them individual. Those girls stuck around; you'd work with them season after season. But now it's completely different.
We were talking about that actually - so many of the girls now, you don't really know any of them anymore. Me and Sasha Pivovarova were talking about it, about doing shows, and how we only know each other and a few other girls. Everyone gets replaced rather quickly in modeling.
I would advise to to a young girl to think about modeling for a really long time before she does it because it's not as easy as it looks - and to just be herself and not let people make her crazy.
We have a lifetime of wearing makeup, so while it's fun for girls to play, I think it's better that we wait until we're older to wear makeup!
I'm a good Indian girl, I still don't do sex scenes in my movies because my mum would kill me!
I want Pucci woman to be a Pucci girl. That's number one, because I think she should have that vibe that corresponds with today. Emilio Pucci - the house is, I think, 63 years old now. It's an old house. The Pucci woman from the beginning would be 80 years old or something today, so I've kind of had to update her.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I think first huge gay following started out with our keyboard player Jesper Anderberg. When he joined the band we were still in high school, and he was two years younger than us. He has a really boyish look, so all the gay guys fell in love with him straight away. We have a couple of cute guys in the band, and we play that kind of music that will go in a club. And I was dating a girl for a while - that might have something to do with it.
I think there are so many young girls out there who may be discouraged by the images they see in magazines or on TV, because it's such a media-driven culture. But people will be a lot more accepting of themselves when they feel included. Through my website, I'm in touch with a 13-year-old girl from Brazil; like me, she was born with a piece of her arm missing. She thanked me for the work I'm doing and said I give her strength, inspiration and confidence. Showing a young girl like that how you can be happy and have feelings of confidence is one of my biggest achievements to date.
There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot. To be the outsider is actually a great thing in England. I don't know - I'm not American. But I think the majority of American teenagers don't want to be the freak.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
I would like to see many times more dollars going into the education for girls. The World Bank has some wonderful statistics in terms of the importance of educating girls as a way of lifting whole societies out of poverty.
It's funny how people want to sometimes think that Young and Beautiful film is about all adolescents, but it's just the case of one girl. It doesn't mean all the adolescents are like that, of course.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
There is a kind of syndrome of girls who want to dirty themselves. They have the power. They control everything.
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