If you are a young girl who wants to be a country singer, just don't try to do it too early. Be a high school kid, be a cheerleader, do your thing. And also, just know who you are; know what you want to say and stick with it throughout.
When you play the young girl a lot, you can be in the movie a lot and have nothing to do.
My first film - a challenging role and completely different from the persona that was created in Italy. I was this super energetic, vibrant, happy, volumed hair, fitted dresses, the whole Italian va-va-voom thing. And the role was a girl that was really provoking society with being unnecessarily violent - just trying to see what people's limits are. It's a really dark tunnel to get to being nasty, being full of hate. When people hate there's a big sadness and rage within them, so it was interesting to go that dark with my first experience.
I know a lot of girls in the comedy world who are kind of like me. I don't know where the slutty girls hang out, but it's not the comedy world as far as I know.
Girls are infinitely more complicated than boys, and women more than men.
I think fashion can have a very negative impact on young people who feel they have to be thin. I am not part of that trend. There is so much pressure on teenage girls.
I enjoy Pilates and I do yoga at home where I get peace and quiet. I think it helps that I don't drink and I never smoked. You see so many young girls smoking and you want to say to them 'it's bad for your skin and health, everything'.
I didn't know about the Bond girl thing. I was approached very quickly, boom, boom, boom, it happened.
Nights were hard during my staying at the TV show because while my Playmate friends got to go out and party, I would have to be home by 9 p.m. I'd get a text message from a girl that read, 'Having so much fun in Vegas. Wish you were here! Partying with all these football players,' and that was devastating. I felt so trapped and angry when I was missing out on something good.
I don't understand all these breasts right now, and they don't look like breasts. They look like someone's taken a grapefruit half and inserted it under your skin. I mean it's - it doesn't even bear any resemblance to what a natural breast looks like. But we're starting to think that this is what women should like. And young girls are looking at these breasts and thinking, oh, I need to go have my breasts done because they've lost touch with what a real breast actually looks like. I find it fascinating, I find it disturbing.
There is still a desperate need for investment and promotion of education in rural Pakistan and Afghanistan. Official figures put Pakistan literacy rate over 45%, but in many rural areas we work it is about 10-15%, and for girls even lower.
As long as there are teenage girls, there will be boy bands. It's a question of how long it takes them to get their music together to come out.
For me, I've gotten away from feeling I'm too dark. we're all women of color, and a lot of us are doing some great things. I think it's important the great things that we all do instead of asking, 'Why didn't I get this?' or 'Why did the light-skinned girl get that?' instead of focusing on the positive. That what I and some girlfriends of mine are doing, celebrating all colors and all ethnicities of women of color. That's a better way to go, rather than bringing all the negativities into it. It so much easier to smile and have fun than it is to hold grudges.
I've been working with a lot of girl power organizations this year. I have so many incredible women in my life that I'm supported by, and I wanted to shine a light on them and encourage other women and girls to do the same. We're often encouraged by the media to compete with one another, to bring each other down, or to feel small when seeing the success of someone else, and I just wanted to flip that script and challenge us to do the opposite. Instead, feel inspired and ignited by someone else's success.
I'm also looking for the psychological elements that fuel commodity culture. For example, if we imbue girls with deep insecurity about their bodies through images of an impossible ideal, we create a really vulnerable and avid consumer. If somebody feels that they're not OK without a certain product, you have a very deep and loyal market that will come back to the product again and again. Sometimes, this process is both rational and irrational.
To me, the most important takeaway is to encourage women to talk to their own health provider and doctor. I'm not a doctor, so I'm not going to sit here and review all the different options. But I think that it's most important for girls to have that conversation with their doctor. That will illuminate everything.
My teachers always said, "You're very talented, but don't set your heart on art. You're only a girl." I was inspired by Virginia Woolf in 1960, but they wouldn't let me write about her. They said she was a trivializer. I also wanted to do a paper on Simone de Beauvoir, and my philosophy teacher said, "Why would you write about the mistress? Write about the master." That was Sartre.
I think I might prefer women without makeup. Though I don't really know, because I am not good at identifying makeup. I once wrote in the chat, a long time ago, that my wife wore no mascara. She later informed me dryly that she has worn mascara every day that I ever knew her. Or maybe eye liner. I forget. Which is the one you always wear, girls.
That's what I always try to do in my shows - look for the idea of a collection and what the designer wants that girl to portray. I always have that in my mind: What am I going out looking to do? I'm always trying to feel it, make it natural and real.
From day one, President Obama has made improving the quality of life for woman a top priority. It's why he created the White House Council on Women and Girls that I'm so proud to chair. Our directive was to look across the board at all of the federal agencies and determine what we could do to improve the quality of life for women and girls.
As much as I try to be present, it just doesn't really feel like reality. It feels like a fleeting thing. There's a million other incredibly wonderful girls that are much more talented than me that are out there all the time. So I'm just trying to appreciate it for what it is. But I don't want it to take on that feeling of pressure, because I don't know where that's gonna get me.
The strong smells I remember are all floral. There's nothing like a farm rose to take you back to the mountains and the meadows. I'm a mountain girl, a meadow girl, so I feel very close to that.
It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
At a certain point I became really frustrated with modeling, like, why do I have to go home after school and get dressed up and put makeup on my face, and then go to a photographer's studio where there's 15 other girls with their books and have to prove myself? A lot of people don't think of it that way, but modeling's a hard job, physically and emotionally.
I was always a little bit chubbier than everyone else. But I would feel pain for some of the other girls, who were so young and felt they had to be so skinny. They'd be living in the model apartments, totally wrapped up in this whole world. And it made me more sad than anything.
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