In the last generation, with public Christianity in headlong retreat, we have caught our first, distant view of a de-Christianized world , and it is not encouraging.
The key to maturity is time and community. Discernment and godly wisdom develop in a community that spans generations. The church is called to be this place where the [God's] Spirit uses normal patterns and rhythms of the Christian life in a community, so that we may bear fruit like a well-watered tree. Despite common appearances, the church is the place where God's new creation is coming into existence and being sustained by the Spirit like a great vineyard.
We need an honest bottom line. Today that bottom line is vastly subsidized. If anyone of us were paying the full cost of oil our bottom lines would be very different. If you internalize the cost of oil, look at the cost of the war in the Middle East or the cost of global warming for future generations, if you internalize those external costs and what you pay, that bottom line would look very different, what ever business you are in.
I believe the history of American music is just as important as anything political because it's changed generations of people.
The challenging of repression by a new generation of activists - from Malala Yousafzai to Pussy Riot - across the globe reminded us how many women are still fighting for basic human rights. Our great-grandmothers' struggle in all its shocking detail seemed so relevant.
I think that because of YouTube, because of MySpace, because of the digital domain that we have on the Internet, the younger generation is much more open to information. I think it's so much easier for them to gain information and trade information, and they have become more aware. In some cases, more aware than their own parents and adults, as to what's going on in the world. I find that really intriguing and interesting, and I think there is a brewing of a whole new generation of activists coming.
What I've always tried to do is to express the highest point of me, and rock 'n' roll is the first and the most open form created by our generation. The cool thing about it is that you get the power, you get the rhythm; you can be taken over sexually, you can be taken over cerebrally; it's great to look at - it's a package deal.
I'm a professional artist, that's how I make my living. So I watch the market. There is, it seems to me, a lot of pure financial speculation, and I don't think that's terribly healthy. Though as long as the money is getting back to the artist, I think that's good. I'm very happy younger artists can make money faster than we could. And we were making it faster than a generation before us.
I'm part of the Ipod generation. I got 10,000 tracks from all over the world.
I think paranoia goes from generation to generation. It's convenient to imagine that there's a few people controlling everything, that way it's manageable and small. But that's not life, life is messy.
In one generation, my family went from extermination simply because of how they pray to God to this ridiculously privileged life I live today. So how can I not love America?
In this rigged, two-party system, third parties almost never win a national election. It's obvious what our function is in this constricted oligarchy of two corporate-indentured parties - to push hitherto taboo issues onto the public stage, to build for a future, to get a young generation in, keep the progressive agenda alive, push the two parties a little bit on this issue and that.
We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...
Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
"A Tale of Three Cities" is a tribute to our parents' generation, who escaped from city to city in search of their loved ones and in search of a place to build a better home. The story is set during the turbulent war years in China in the '40s and '50s.
I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
One gets used to success very quickly. The surprise was how deep and enduringly I was touching people, in such different places and throughout generations.
It's what the mainstream does - they absorb things and they blunt the power of it. And so the next generation and the next generation has to become more shocking and more provocative in order to get any rise out of anybody.
There are generations of women who left the workforce to be moms, and their kids grow up, and they think, "Well, what now?"
There are generations of people who have never seen a big plate painting in person. And they don't know what the hell they look like, they don't know what it feels like to stand in a room with them.
Most of us in the baby-boom generation were raised by full-time mothers. Even as recently as 14 years ago, 6 out of 10 mothers with babies were staying at home. Today that is totally reversed. Does that mean we love our children less than our mothers loved us? No, but it certainly causes a lot of guilt trips.
Every Irish person of my generation and earlier, we were raised Catholic and we'd have to learn it in school, we'd to learn the catechism by rote.
That was probably the mistake of my generation, that we thought that having sex with anyone would be intimate and it wasn't.
I was surprised by my daughter's generation and how they were rebelling against the '70s idea that sex was perfect and it should be sought.
I've always found, when I was younger, that the older guys - the guys who weren't of my generation but were 20, 30 years older than me - were the cool guys. I always wanted to be around adults when I was young.
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