Television as we have it isn't an art form - it's a piece of furniture that is good for a few things.
War proves nothing. To kill a man does not prove that he was in the wrong. Bloodletting cannot change men's spirits, neither can the evil of men's thoughts be driven out by blows. If I go to my neighbor's house, and break her furniture, and smash her pictures, and bind her children captive, it does not prove that I am fitter to live than she - yet according to ethics of nations it does. I have conquered her and she must pay me for my trouble; and her house and all that is left in it belongs to my heirs and successors, forever. That is war!
A classroom atmosphere that promotes reading does not come from the furniture and its placement as much as it comes from the teacher's expectation that students will read.
We never know the timber of a man's soul until something cuts into him deeply and brings the grain out strong. You've the making of a mighty fine piece of furniture.
I don't spend money on anything. I don't collect anything. I don't spend it on furniture.
The only real security is not insurance or money or a job, not a house and furniture paid for, or a retirement fund, and never is it another person. It is the skill and humor and courage within, the ability to build your own fires and find your own peace.
I won $100,000 in Vegas, which buys furniture for my beach house. That takes nerves. You can't think if I'm wrong I'll blow $30,000.
Strangers with puzzled looks were amazingly cooperative in letting me into their rooms with my photographic gear. They let me take down the curtains, wash the windows, and rearrange the furniture. Often, too, they expressed their desire to share their view with others, as if it were a non-depletable treasure. I liked the idea that my photographic vantage points were not solely determined by myself. They were predetermined by others, sometimes years earlier, and patiently waited for me to discover them.
I love to design and remodel houses, from working with the contractors to picking the colours, materials, kitchen and bathroom accessories to finally what furniture goes where.
All writing seems to me worse in the state of proof than in any other form. In manuscript one's own wisdom is rather remarkable to one, but in proof it has the effect of one's private furniture repeated in the shop windows. And then there is the sense that the worst errors will go to press unnoticed!
Nothing which is at all times and in every way agreeable to us can have objective reality. It is of the very nature of the real that it should have sharp corners and rough edges, that it should be resistant, should be itself. Dream-furniture is the only kind on which you never stub your toes or bang your knee.
What patient can trust the knowledge of a physician without reputation or furniture, in a period when publicity is all-powerful and when the government gilds the lamp posts on the Place de la Concorde in order to dazzle the poor?
Men don't live well by themselves. They don't even live like people. They live like bears with furniture.
... if they [your children] write their names in the dust on the furniture, don't let them put the year.
It is curious that we pay statesmen for what they say, not for what they do; and judge of them from what they do, not from what they say. Hence they have one code of maxims for profession and another for practice, and make up their consciences as the Neapolitans do their beds, with one set of furniture for show and another for use.
Everything was leveled, there were no extremes of joy or sorrow any more but only habit, routine, ancient family names and rites and customs, slow careful old people moving cautiously around furniture that had sat in the same positions for fifty years.
For the first time in six or seven thousand years, many people of goodwill find themselves confused about art. They want to enjoy it because enjoying art is something they expect of themselves as civilized persons, but they're unsure how to do so. They aren't even sure which of the visible objects are art and which are furniture, clothes, hors d'oeuvres, or construction rubble, and whether a pile of dead and decomposing rats is deliberate art or just another pile of decomposing rats.
No one chair should be isolated.
Agriculture is the foundation of manufactures; since the productions of nature are the materials of art. Under the Roman empire, the labour of an industrious and ingenious people was variously, but incessantly employed, in the service of the rich. In their dress, their table, their houses, and their furniture, the favourites of fortune united every refinement of conveniency, of elegance, and of splendour, whatever could soothe their pride or gratify their sensuality.
Burning fossil fuels is like breaking up the furniture to feed the fireplace because it's easier than going out to the woodpile.
Fashion is everything. Art, music, furniture design, graphic design, hair, makeup, architecture, the way cars look - all those things go together to make a moment in time, and that's what excites me.
There is a new codeword going round school. DFS. It means 'desperate for sex.' It sounds like you are talking about the furniture shop. For the record, I'm certainly DFS. In fact I am permanently shopping in DFS with no hope of getting out of the store.
I was barely in grade school when I helped my mother rearrange the living room furniture for the first time.
Seems to me we move the furniture, the French come in later and put the doilies on top of it...It's a simple fact they've always been reluctant to surrender to the wishes of their friends and are almost anticipatory in their urge to surrender to wishes of their enemies. And if they want to get their hands dirty now they're just gonna have to run 'em through their own hair.
The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
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