My oldest brother was stabbed thirty to forty times and strangled to death with his own belt when I was eight years old. Much of my life has been pockmarked with violence. So I had a natural interest in the topic, along with a strong home-field advantage.
Stefan Sagmeister says that nobody innovates past forty-five, but I think he's wrong. I want to keep doing it.
Forty-five hundred outstanding lawsuits now for Donald Trump, including Trump University in court .
We all want the chance to express the very best of ourselves and to be challenged to keep reaching for more. Our time at work affords us this chance - not the only chance, to be sure, but, given that we're there forty or fifty hours a week, it's one of the best.
[My muse] likes to inhabit tea leaves, sunlight filtered through bamboo, melancholy clouds over the Devon coastline, a weedy railroad crossing in the Southern States, bubblegum pop from the sixties, torch songs from the forties, undersea caves where B-movie octopi grapple with men in loincloths, sacred groves of pink anime dryads, Victorian fairy paintings executed by gentlemen in lunatic asylums and so on.
The blacklist against people in the entertainment industry that show up for [Donald] Trump is worse than that blacklist you heard of in Hollywood back in the forties and fifties.
I think one percent of the population attended college when Wallace Stevens and Robert Frost and Gertrude Stein were at Harvard. Now I think forty percent of Americans have some college education. That's an astronomical change.
In the beginning of the 19th century, maybe forty percent of women and fifty percent of men could produce a signature, which meant that they'd had at least three years of education because it was in third grade that people started penmanship in the 19th century. And of course black people could get killed if they got caught teaching themselves to read in some parts of the country.
[Tikka Khan] made his appeal with loudspeakers, and still he came to know of only four cases. Shall we multiply by ten and make it forty? We're still far from the senseless figures spread around by Mujib [Rahman] and Indra Gandhi.
The poems I did write there [in Harvard] include Alphabets the 1984 Phi Beta Kappa poem and A Sofa in the Forties. And, of course, the John Harvard poem for the 350th anniversary Villanelle for an Anniversary.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
In Hollywood Westerns even in the Thirties and Forties, history was mythologized to accommodate some kind of moral code. And what really affects me deeply is when you see it taken to the extent where Native Americans become mythical people.
Almost 40% of all young adults are living with their parents. This is a 75-year high in America. Forty percent of young adults are living with their parents. I see stuff like this, and I think it's a good thing I didn't become a parent, because if that were happening to me, you wouldn't want to be my kid.
Satyagraha is an opera which I wrote for the Netherlands Opera, so it uses an orchestra of around fifty, a chorus of forty, and there are about seven soloists. The opera ... Satyagraha means truthful, so it was a name [Mahatma] Gandhi used to describe his civil disobedience movement.
The best educators I have met never stop asking questions. Some of them have taught for forty years and continue to be energized by new possibilities.
One of my great experiences in life was to be interviewed on a late-night talk show by a guy named Tom Snyder. He was interviewing me on a book I had written on the New Testament of the Bible called Rescuing the Bible from Fundamentalism, and we talked about the dating of the books of the New Testament, and I said, "Well, the consensus is that the gospels were written some forty to seventy years after the crucifixion." And he stopped me and said, "Wait a minute, Bishop, that means they couldn't have been written by eyewitnesses."
For forty years I was conscripted by the absolute, the neurosis. The absolute is gone. There remain countless tasks among which literature is in no way privileged.
The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
I found the place where I was beaten bloody forty years earlier and dragged to jail and that made me cry. When the family came out, that made me cry, and the reason I had a hard time leaving Grant Park was that to see a million people like that, feeling the way that million people felt, was so exhilarating.
It's crazy for somebody who's kind of empowered and wealthy like myself to say, "Oh, I don't need to be patronized by the state, I can make my own choices." But I've got things to look forward to, and places to go and if that'd been me there forty years ago, when I was a young kid in Muirhouse, it might've been a different story.
One of the main aims of Sharon is to prevent a Palestinian state - a real, viable, sovereign, free Palestinian state. It has been the major task of his life for the last forty years. What Sharon wants to do is "shorten the lines," in military slang. He wants to give up some positions which are untenable, or which cost too much to keep, and to withdraw to where he wants Israel to be.
We're also going to fix our inner cities. Forty-five percent of African-American children are - under the age six - are living in poverty.
The United States does have the highest rate of incarceration in the world dwarfing the rates of even highly repressive regimes like Russia, China or Iran. This reflects a radical shift in criminal justice policy, a stunning development that virtually no one - not even the best criminologists - predicted forty years ago.
We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.
You know, people tend to get stereotyped for about forty percent of their behavior, so if you're completely crazy forty percent of the time you'll get stereotyped as crazy, even if you're totally boring thirty percent of the time and just studious the other thirty percent of the time.
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