I watched a film called 'Elephant' recently. Its not stylish in the sense of expensive suits and Italian cars, but the styling on every single character is spot on.
In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.
Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.
A film with an untidy plot cannot grip the audience and define their emotional response.
I think you have to really, really want to be a film star.
Film can express things that computers never will. Film is a series of photographs separated by split seconds of darkness. Film is light and shadow.
For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
I like L.A., but I think whats changed is that the kinds of films I do, the mid-range dramatic film, has become an endangered species.
I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.
A gem of a short film has a sense of pure joy in animation that is different from anything you see in a feature film.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
It wouldn't kill you to watch a film or pick up a newspaper once in a while.
One of my favorite films is LATE SPRING by Yasujiro Ozu. To me, it represents film as art.
Film-making is a physically hard job.
I'm a pluralist. I've always argued that as many different films as possible should be made.
But also, there are no films being made about Afghanistan.
Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.
Cinemas gained new young audiences who wanted films made for them.
Films made in the spirit of the past continued to be made.
The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking.
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society.
Everyone I know who is having success in film right now is there because of persistence.
I'm pretty proud of my film music in general.
California, that advance post of our civilization, with its huge aircraft factories, TV and film studios, automobile way of life... its flavourless cosmopolitanism, its charlatan philosophies and religions, its lack of anything old and well-tried rooted in tradition and character.
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