I'm drawn to look tough. The arched eyebrows are just there - I don't do them like that. I have strong features, but I wish I could be tougher.
I did the drawing and writing - for five years. I made a lot of short films the whole while and I made a promise to myself in front of the mirror that I would stop drawing when I signed my first contract for a feature film.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
While I was doing the residency in Paris, I found out that I was chosen as one of the five winners of the Focus Features Africa First Program. All this happened less than a year after I made my first two short films.
In features, one of the goals is to have the audience walk out, fully satisfied. In today's world, it's maybe wanting a sequel.
I think a reason why TV is exciting and getting so much better is because we [authors] get to play off of an actor's strengths and challenge them on their weaknesses. On a feature [film], you don't necessarily get to do that. You hope that they cast the right guy, who comes in and plays your part.
The characteristic feature of a free society is that it can function in spite of the fact that its members disagree in many judgments of value. Freedom really means the freedom to make mistakes.
The essential feature, and necessity of life is to know reality, which means knowing God.
We can debug relationships, but it's always good policy to consider the people themselves to be features. People get annoyed when you try to debug them.
The architecture or look fo a line is really important to me, and often ice can add something to the look of the wall. A dry rock wall is often not very dramatic. You add ice and snow and the features stand out in greater relief and it looks much wilder.
Our epoch, the epoch of the bourgeoisie, posses however, this distinctive feature; it has simplified the class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other.
Lightstone's Convolution Principle: The concurrent development of multiple features operating on intersecting componentry will take longer to complete than the sum of the schedule estimations for each.
I am a design chauvinist. I believe that good design is magical and not to be lightly tinkered with. The difference between a great design and a lousy one is in the meshing of the thousand details that either fit or don't, and the spirit of the passionate intellect that has tied them together, or tried. That's why programming - or buying software - on the basis of "lists of features" is a doomed and misguided effort. The features can be thrown together, as in a garbage can, or carefully laid together and interwoven in elegant unification, as in APL, or the Forth language, or the game of chess.
Very clever implementation techniques are required to implement this insanity correctly and usefully, not to mention that code written with this feature used and abused east and west is exceptionally exciting to debug.
The whole life of Demosthenes... leaves the impression of a melancholy state of things, and of the brazen insolence of wickedness. A particularly striking idea of how things really were in Greece can be obtained from one feature of life - the sons who turned out badly.... the sons of gifted but arrogant fathers turned out merely arrogant, the grandsons hopeless; it is respect alone that sustains families and gives them traditions.
When we face a choice between adding features and resolving security issues, we need to choose security.
The world is now multicultural the same way the world is round. It's not a selling point, it's not a 'quirky' feature, it's not a cynical marketing ploy, it's not an artistic statement, it's not even a plot device. It's a fact, like seedless grapes.
It's actually a good thing if you do reference checks on somebody and half the people you call say they are a micromanager and the other half say they actually give me a lot of responsibility. That's a feature not a bug.
I've worked in animation for a long time. I started in Spain and I wanted to make feature films. That desire to figure out how to make animated features brought me to the U.S. to work for Disney.
Independence can be tough. Without a studio to back you up, when you finish a feature and want to start a new project you have to start from zero.
I've always got five or six things that would either make a good feature or TV show. And you just never know. You go and you pitch and it may be exactly what they're looking for, or they may stop you after two sentences and say, "Oh, we've already done something just like that."
And as particles are living digital elements, moving on their own according to the various attributes (such as weight, speed, shape) given to them by the animator, we don't know what the visual result will be until everything is completed. This result can often be unsatisfying, obliging us to repeat the process all over again, with new features.
I've only made short films and two features, which are very different. One is a surreal comedy, and the other is a period tragedy. I'm curious to know what misconceptions this could trigger
All the distinctive features and superiority of our republican institutions are derived from the teachings of Scripture.
It is only within a free society that the crucial moral features of human life can be protected and preserved
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